Maya Lin is an artist/architect who lives in New York City. The essay in this issue is drawn from her book Boundaries, just published by Simon and Schuster. (November 2000)

Making the Memorial

I imagined taking a knife and cutting into the earth, opening it up, an initial violence and pain that in time would heal. The grass would grow back, but the initial cut would remain a pure flat surface in the earth with a polished, mirrored surface, much like the surface on a geode when you cut it and polish the edge. The need for the names to be on the memorial would become the memorial; there was no need to embellish the design further. The people and their names would allow everyone to respond and remember.