Ingrid D. Rowland

The Spell of Marble

Gian Lorenzo Bernini’s immense artistic authority was based on his theatrical skill with the chisel.

Bernini and His World: Sculpture and Sculptors in Early Modern Rome

by Livio Pestilli

May 12, 2022 issue

Caught in the Coils

In Hans von Trotha’s haunting novel, the Gestapo is rounding up the Jews of Rome, but the archaeologist Ludwig Pollak refuses sanctuary in the Vatican and wishes only to recount his memories.

Pollak’s Arm

by Hans von Trotha, translated from the German by Elisabeth Lauffer

April 7, 2022 issue

Nor Gloom of Night

In Vigdis Hjorth’s novel Long Live the Post Horn!, controversy over the European Union’s Third Postal Directive reveals that the mail service is one of the most powerful bonds connecting Norwegians.

Long Live the Post Horn!

by Vigdis Hjorth, translated from the Norwegian by Charlotte Barslund

August 19, 2021 issue

See Rome and Feel Alive

“The city itself is an artistic treasure, so there was always something to see even when museums were closed.”

May 1, 2021

Light in the Palazzo

Hidden away and neglected for decades, works from the world’s greatest private collection of ancient sculptures are finally on public display in Rome.

The Torlonia Marbles: Collecting Masterpieces

an exhibition at the Capitoline Museums, Rome, October 14, 2020–June 29, 2021 (currently closed due to Covid-19 restrictions)

May 13, 2021 issue

Raphael: An Allegory (The Vision of a Knight), circa 1504

The Virtuoso

No less than Michelangelo but much more subtly, Raphael brought on revolutions in art and architecture, and in thought itself.

Raffaello 1520–1483

an exhibition at the Scuderie del Quirinale, Rome, June 2–August 30, 2020

August 20, 2020 issue

St. Peter’s Basilica, Vatican City, 1993

He Made Stone Speak

Late in life, Michelangelo took on a series of huge, daunting projects, fully aware that he would never live to see them completed.

Michelangelo, God’s Architect: The Story of His Final Years and Greatest Masterpiece

by William E. Wallace

July 2, 2020 issue

The Master’s Master

Andrea del Verrocchio epitomizes what the Renaissance of art in Florence was all about.

Verrocchio, Il Maestro di Leonardo [Verrocchio, Master of Leonardo]

an exhibition at Palazzo Strozzi and the Museo Nazionale del Bargello, Florence, March 9–July 14, 2019

Verrocchio: Sculptor and Painter of Renaissance Florence

an exhibition at the National Gallery of Art, Washington, D.C., September 15, 2019–January 12, 2020

Bertoldo di Giovanni: The Renaissance of Sculpture in Medici Florence

an exhibition at the Frick Collection, New York City, September 18, 2019–January 12, 2020

December 19, 2019 issue

Olafur Eliasson: The weather project, 2003

Filling Our Eyes with Sunshine

Olafur Eliasson: In Real Life

an exhibition at Tate Modern, London, July 11, 2019–January 6, 2020

Olafur Eliasson: Experience

edited by Anna Engberg-Pedersen, with an essay by Michelle Kuo

Studio Olafur Eliasson: The Kitchen

by Olafur Eliasson, with a preface by Alice Waters

September 26, 2019 issue

‘A Painter Not Human’

No one, not even Leonardo or Piero della Francesca, has ever paid such penetrating attention to the way light works as Antonello da Messina

Antonello da Messina

an exhibition at the Galleria Regionale della Sicilia di Palazzo Abatellis, Palermo, December 14, 2018–February 10, 2019

Antonello da Messina

an exhibition at the Palazzo Reale, Milan, February 21–June 2, 2019

May 9, 2019 issue

Roman Holidays

‘Baroque Antiquity: Archaeological Imagination in Early Modern Europe’ by Victor Plahte Tschudi

Baroque Antiquity: Archaeological Imagination in Early Modern Europe

by Victor Plahte Tschudi

June 28, 2018 issue

Edvard Munch: Sick Mood at Sunset: Despair, 1892

Norwegian Woods

The thrilling complications of Edvard Munch’s art

Towards the Forest: Knausgård on Munch

an exhibition at the Munch Museum, Oslo, May 6–October 8, 2017

Så mye lengsel på så liten flate [So Much Longing on Such a Small Surface]

by Karl Ove Knausgård

Edvard Munch: Between the Clock and the Bed

an exhibition at the San Francisco Museum of Modern Art, June 24–October 9, 2017; the Met Breuer, New York City, November 15, 2017–February 4, 2018; and the Munch Museum, Oslo, May 12–September 9, 2018

December 7, 2017 issue

Sebastiano del Piombo: Lamentation over the Dead Christ (Pietà), circa 1512–1516

Roman Rivalries

Michelangelo and Sebastiano

an exhibition at the National Gallery, London, March 15–June 25, 2017

August 17, 2017 issue

Jacopo Carucci Pontormo: Visitation, circa 1528–1529; Bill Viola: The Greeting, 1995

Bill Viola in Florence

The Florentine exhibition “Bill Viola: Electronic Renaissance,” organized around the work of the acclaimed American video artist Bill Viola, has brought the paragone—the age-old debate about the most expressive form of art—into the twenty-first century.

June 21, 2017

Martin Luther’s Burning Questions

On the vast, unpredictable forces his rebellion unleashed

Martin Luther: Art and the Reformation

an exhibition at the Minneapolis Institute of Art, October 30, 2016–January 15, 2017

Word and Image: Martin Luther’s Reformation

an exhibition at the Morgan Library and Museum, New York City, October 7, 2016–January 22, 2017

Law and Grace: Martin Luther, Lucas Cranach, and the Promise of Salvation

an exhibition at the Pitts Theology Library, Atlanta, October 11, 2016–January 16, 2017

Renaissance and Reformation: German Art in the Age of Dürer and Cranach

an exhibition at the Los Angeles County Museum of Art, November 20, 2016–March 26, 2017

Martin Luther: Renegade and Prophet

by Lyndal Roper

Brand Luther: 1517, Printing, and the Making of the Reformation

by Andrew Pettegree

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June 8, 2017 issue

The Virtuoso of Compassion

Italy in the 17th century was a magnet for ambitious artists. Why was Caravaggio’s influence so overwhelming?

Valentin de Boulogne: Beyond Caravaggio

an exhibition at the Metropolitan Museum of Art, New York City, October 7, 2016–January 22, 2017; and the Musée du Louvre, Paris, February 20–May 22, 2017

Beyond Caravaggio

an exhibition at the National Gallery, London, October 12, 2016–January 15, 2017; the National Gallery of Ireland, Dublin, February 11–May 14, 2017; and the Scottish National Gallery, Edinburgh, June 17–September 24, 2017

The Guardian of Mercy: How an Extraordinary Painting by Caravaggio Changed an Ordinary Life Today

by Terence Ward

The Seven Acts of Mercy

a play by Anders Lustgarten, produced by the Royal Shakespeare Company, Stratford-upon-Avon, November 24, 2016–February 10, 2017

May 11, 2017 issue

Robert B. Silvers in his office at The New York Review of Books, early 1980s

On Robert Silvers

Nineteen writers remember The New York Review’s editor.

May 11, 2017 issue

‘Jupiter and Juno’; a detail from Annibale Carracci’s ceiling at the Palazzo Farnese, Rome, 1597–1604

The Long Reach of Rome

The Genesis of Roman Architecture

by John North Hopkins

Art of Empire: The Roman Frescoes and Imperial Cult Chamber in Luxor Temple

edited by Michael Jones and Susanna McFadden

Rome 1600: The City and the Visual Arts Under Clement VIII

by Clare Robertson

April 20, 2017 issue

Remembering Bob Silvers

On the late editor of The New York Review

March 21, 2017

Migrants who have arrived by boat from North Africa at the port in Lampedusa, March 27, 2011

Lampedusa's Lost Souls

Gianfranco Rosi’s haunting documentary Fuocoammare (Fire at Sea) bears eloquent witness to the urgent human drama of migrants and refugees landing on the shores of Lampedusa, in southern Italy.

February 7, 2017