Italo Calvino (1923–1985) was an Italian writer and novelist. His works include The Road to San Giovanni, If on a Winter’s Night a Traveler, Invisible Cities, Marcovaldo, and Mr. Palomar.


How They Got Galileo

Galileo: Heretic (Galileo Eretico)

by Pietro Redondi
A man on the beach at Capua observes the sunset, not for artistic or poetic inspiration but for a scientific purpose: he wants to measure the velocity of the sun. However, he doesn’t have measuring instruments of any kind: he has only a system for establishing certain units of time, …

Why Read the Classics?

A classic does not necessarily teach us anything we did not know before. In a classic we sometimes discover something we have always known (or thought we knew), but without knowing that this author said it first, or at least is associated with it in a special way. And this, too, is a surprise that gives a lot of pleasure, such as we always gain from the discovery of an origin, a relationship, an affinity. From all this we may derive a definition of this type: The classics are books that we find all the more new, fresh, and unexpected upon reading, the more we thought we knew them from hearing them talked about.

The Written and the Unwritten Word

The following was given as the James Lecture, presented at the New York Institute for the Humanities on March 30. When I’m asked for a lecture, not about a particular subject but one that would leave me free to choose what to speak about, I feel rather at a loss.


The Movies of My Youth

Posters for The Lives of a Bengal Lancer (1935), Mutiny on the Bounty (1935), and The Thin Man (1934)

There were years when I went to the movies almost every day, around the time of my adolescence. Those were years in which cinema was my world. It satisfied a need for disorientation, for shifting my attention to another place, and I believe it’s a need that corresponds to a primary function of integration in the world, an essential phase in any kind of development.