Last winter, I came into possession of the papers of an émigré psychiatrist who practiced in New York in the late 1940s and 1950s. The archive included a collection of manila envelopes, around six by ten inches, stuffed with folded sheets of thin paper covered with single-spaced typing: the notes the psychiatrist made after seeing patients (many of them fellow émigrés) in his office. As I studied the sheets with their inky typewriting and 60-year-old paper clips holding them together and leaving rust marks on the surface, my collagist’s imagination began to stir. I began to “see” some version of the collages on view here.
January 8, 2012