Tiana Reid ‘I Was Mobile’ In her photographs of the Second World Black and African Festival of Arts and Culture, held in Lagos in 1977, Marilyn Nance captured moments of reprieve amid the spectacle. November 4, 2022
George Hutchinson Jean Toomer’s ‘Cane’ and the Ambiguity of Identity Ambiguity of identity and a strong intuition of the arbitrary nature of social labels came early to Jean Toomer. December 28, 2018
Gaiutra Bahadur The Jonestown We Don’t Know Exodus motifs course through African-American religion and history, and Jim Jones tapped into them to market his vision. Every exodus needs a promised land. December 21, 2018