Werner Herzog on Death Row
A documentary film is often part stunt, part lab experiment, and the way a documentary filmmaker pursues his or her story will always involve a bit of amateur sleuthing, as well as improv. That such scriptless adventures have attracted a great director like Werner Herzog is curious but not alarming. Good documentary films can be made cheaply and we seem to be living in an abundantly golden—or at least copper (penny-wise)—era of them. Herzogʼs latest film, *Into the Abyss*, much like his 2005 documentary, *Grizzly Man*, uses the camera as a geiger counter to locate some of the more toxic elements of the American cultural psyche as seen through the questing mind of a pseudo-squeamish European: here the setting is small town Texas’s well-traveled road to death row.
November 10, 2011