Norton, 80 pp., $19.00
Bloodaxe Books/Dufour Editions, 112 pp., $16.95 (paper)
Noonday Press/Farrar, Straus and Giroux, 153 pp., $12.00
Noonday Press/Farrar, Straus and Giroux, 189 pp., $10.00
Dufour Editions, 258 pp., $14.95 (paper)
When the United States became a superpower after World War II, Americans became less deferential toward English writers, with the consequence that, on the whole, postwar American readers knew little of the poetry being written in the British Isles and Ireland. Auden maintained a hold on the American audience because he lived here, and Dylan Thomas flashed briefly through the country, but apart from those two imports, modern British poets made almost no impression on the United States. We were content to let them (and the poets of the Commonwealth countries and Ireland) work in their separate sphere. This depressing situation was compounded by the gradual but widening divergence between British and American culture, and by the utter failure, in the service of a mistaken nativism, of American public (and even private) schools to keep British poetry, in a systematic way, in the elementary and secondary curriculum. The American presses that still publish poetry have tended predictably to favor American poets over others writing in English.
Review, 4539 words
To read the full text of this piece, please choose one of the following options:
|
If you are already a subscriber to the Review's electronic edition, please sign in: |
To subscribe to the electronic edition, please press the button below. |
To purchase access to this article for $3, please press the button below. |