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With the publication now of From the First Nine and The Changing Light at Sandover, one can better trace James Merrill's development over the last thirty years, from the voyages and tours of the 'international theme' in his earlier poems through the supernatural forays of the trilogy—always bearing in mind that in the dandified body of this poet's works there lurks a giant's strength, a giant, of course, with consummate tact and balance.
Review, 6210 words
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