Works Discussed in This Essay
Garland Publishing, 160 pp., $22.00
Garland Publishing, 187 pp., $22.00
Penguin, 319 pp., $3.50 (paper)
Scholars' Facsimiles & Reprints, 538 pp., $35.00
Garland Publishing, 181 pp., $22.00
Garland Publishing, 196 pp., $22.00
Garland Publishing, 192 pp., $22.00
Garland Publishing, 195 pp., $22.00
Norton, 154 pp., $1.95 (paper)
Garland Publishing, 199 pp., $22.00
University of Nebraska Press, 366 pp., $3.75 (paper)
University Press of Kansas, 125 pp., $4.00
Penguin, 307 pp., $2.50 (paper)
New American Library/Mentor, 316 pp., $1.95 (paper)
Harper and Row, 355 pp., $15.00
Publication des Annales de la faculté des lettres Aix-en-Provence
Librairie Armand Colin, Paris
When the final word is said on Mary Wollstonecraft she will appear to us, I suspect, as one of the most powerful and distinctive prose writers in the language. The one work by which she is generally known today, her 1792 Vindication of the Rights of Woman, establishes Wollstonecraft as the greatest of polemical feminists. But she wrote a great deal more, and wider acquaintance with the complete oeuvre, now slowly coming back into print, may well inspire a reassessment of the history of English Romanticism to include the turn-of-the-century woman writer, who, like Wollstonecraft (and Austen, Radcliffe, Edgeworth, Burney), wrote prose fiction, treatises, letters, essays, and diaries, rather than poetry. 'I am compelled to think that there is some thing in my writings more valuable,' she wrote Godwin in 1796, 'than in the productions of some people on whom you bestow warm elogiums—I mean more mind—denominate it as you will—more of the observations of my own senses, more of the combining of my own imagination—the effusions of my own feelings and passions than the cold workings of the brain on the materials procured by the senses and imagination of other writers.'
Review, 4787 words
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