Colm Tóibín is the author of seven novels and two collections of stories. His play, The Testament of Mary, is now being staged at the Walter Kerr Theatre in New York City. He has been a visiting writer at Stanford, the University of Texas at Austin, and Princeton, and is now the Irene and Sidney B. Silverman Professor of the Humanities at Columbia.
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Those Dickens Kids: What Happened?
May 23, 2013
Great Expectations: The Sons and Daughters of Charles Dickens
by Robert Gottlieb
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Going Beyond the Limits
May 10, 2012
The Sense of an Ending
by Julian Barnes
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Gay Night and Day
February 23, 2012
Jack Holmes and His Friend
by Edmund White
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The Mysterious Powers of the Word
September 29, 2011
Life Times: Stories, 1952–2007
by Nadine Gordimer
Telling Times: Writing and Living, 1954–2008
by Nadine Gordimer
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In the Fires of Catalonia
May 13, 2010
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The Anger of Exile
March 25, 2010
The Hakawati
by Rabih Alameddine
Cockroach
by Rawi Hage
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The Genius of Thom Gunn
January 14, 2010
Selected Poems
by Thom Gunn, edited by August Kleinzahler
Selected Poems of Fulke Greville
edited and with an introduction by Thom Gunn, and an afterword by Bradin Cormack
At the Barriers: On the Poetry of Thom Gunn
edited by Joshua Weiner
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The Admirable Mrs. James
June 11, 2009
Alice in Jamesland: The Story of Alice Howe Gibbens James
by Susan E. Gunter
House of Wits: An Intimate Portrait of the James Family
by Paul Fisher
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James Baldwin & Barack Obama
October 23, 2008
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A Great American Visionary
April 17, 2008
Hart Crane: Complete Poems and Selected Letters
by Hart Crane
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The Shadow of Rose
December 20, 2007
Notebooks
by Tennessee Williams, edited by Margaret Bradham Thornton
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Creating ‘The Portrait of a Lady’
July 19, 2007
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Learning to Love
April 12, 2007
Call Me by Your Name
by André Aciman
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A Thousand Prayers
November 30, 2006
A Thousand Years of Good Prayers
by Yiyun Li
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Happy Birthday, Sam!
April 27, 2006
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Henry James’s New York
February 9, 2006
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The Comedy of Being English
January 13, 2005
The Line of Beauty
by Alan Hollinghurst
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Return to Catalonia
October 7, 2004
Soldiers of Salamis
by Javier Cercas, translated from the Spanish by Anne McLean
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The Black Diaries
September 23, 2004
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The Tragedy of Roger Casement
May 27, 2004
Roger Casement: The Black Diaries
by Jeffrey Dudgeon
Sir Roger Casement’s Heart of Darkness: The 1911 Documents by Angus Mitchell
The Eyes of Another Race: Roger Casement’s Congo Report and 1903 Diary
edited by Séamus Ó Síocháin and Michael O'Sullivan
Roger Casement in Death, or Haunting the Free State
by W.J. McCormack
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New Ways to Kill Your Father
June 12, 2003
Rory & Ita
by Roddy Doyle
The Speckled People
by Hugo Hamilton
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The Cause that Called You
December 19, 2002
Ireland’s Holy Wars: The Struggle for a Nation’s Soul, 1500–2000
by Marcus Tanner
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Lady Gregory’s Toothbrush
August 9, 2001
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The Sweet Troubles of Proust
February 22, 2013
A specter haunts the exhibition of Proust’s notebooks, manuscripts, and correspondence currently running at the Morgan Library. It is the specter of Proust’s mother.
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Still Drama: Marina at MoMA
April 21, 2010
At ten o’clock on a recent weekday morning, when the crowds were let in the door and up the stairs to the big hall on the second floor of MoMA, Marina Abramović was already seated in the center of a space that had been cordoned off by lines on the floor, strong lights making it seem like a movie set.
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Glorious Ghosts
November 19, 2009
Wexford is a small town on the sea in the south-east of Ireland and an unlikely place to host an opera festival. Yet since 1951 in late October the town has organized what has become for many opera-lovers an essential date in the calendar. The reason why it has remained important is not merely the intimacy of the setting, the general air of welcome and the strange sea-washed beauty of the old town, but the policy since the early 1970s to program three operas that have fallen beneath the radar, that are seldom or never performed.
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Hopkins: The Odd Man Out
October 26, 2009
One of the strangest and most beautiful shows in the Dublin Theatre Festival, which ran during the first week of October, was entitled “No Worst There Is None” and concerned the life of the English poet and Jesuit Gerard Manley Hopkins. It was performed for an audience of twenty-five who followed the actors around the rooms of Newman House on St Stephen’s Green in Dublin. This eighteenth century building, which is owned by University College Dublin, has a plaque outside commemorating three disparate figures who spent time in its lofty halls—Cardinal Newman, the first head of the National University of Ireland; James Joyce, who was a student here; and poor, depressed Hopkins, who, sent to Dublin by his order, spent the last five years of his life in the building and wrote what are called his “terrible sonnets.”
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Why Ireland Said Yes
October 16, 2009
On October 2, I joined hundreds of thousands of other Irish voters in approving the European Union’s Lisbon Treaty by a surprising majority 63 to 33 percent.

