by Wisława Szymborska, translated from the Polish by Clare Cavanagh and Stanisław Barańczak
Wisława Szymborska (1923–2012) was awarded the Nobel Prize in 1996, but she came of age in the late 1930s, in Poland; and to judge by the evidence in Map: Collected and Last Poems, her wit and judgment were sharpened and her disposition of charity deepened by the war years. Yet …
Astro Noise: A Survival Guide for Living Under Total Surveillance
by Laura Poitras and others
Installation art is a mixed genre. It can be contemplative in ways denied to a picture hanging on a wall or a film projected on a screen. At the same time it lends itself to provocation, to “confrontational” ambitions: the spectator may be startled by light or noise, or subjected …
It is clear from Lincoln’s speeches, writings, and actions that he struggled against ambition in order not to let it prevail over his sense of justice. From what familiar political sources might an American of Lincoln’s generation have come to suppose that ambition poses a moral and political danger? A commanding statement was the pair of speeches by Brutus and Mark Antony to the Roman crowd in Act 3 of Julius Caesar.
A train of commitments by two administrations has led to the US intervention in Syria, an involvement that started well before the revised intelligence estimate about chemical weapons climbed to “high certainty.” Throughout the peculiar history of preparing the ground in Syria, there are distinct reminders of Iraq. As with Iraq, the US is looking to enter a scene of sectarian hostilities that it hopes to control by the right tactics once regime change has been accomplished. As with Iraq, refusal of inspections by the existing government has been taken to indicate the possession and use of forbidden weapons. As with Iraq, we are being encouraged by Sunni regional partners who are willing to sponsor jihadists from an overwhelming desire to weaken and overthrow the government of Iran.
The title “Infinite Jest” gives a very partial impression of the survey of caricatures showing at the Metropolitan Museum of Art through March 4. Hamlet said those words about Yorick, but Yorick was a jester at the court of Elsinore. There may be something expansive about the very idea of jest, because it obeys no rules and draws hints from the humor of the audience. The art of caricature, by contrast, is finite, bounded and severe. A bad jest may redeem itself by having a better for its sequel. A flat or vapid or wrong-headed caricature cannot be pardoned. The province of satire is wit, and when wit goes wrong it signifies not a tactical error but a defect of mind.
Being president of the world has sometimes seemed a job more agreeable to Barack Obama than being president of the United States. The Cairo speech of June 2009 was his first performance in that role, and he said many things surprising to hear from an American leader—among them, the statement that “it is time for [Israeli] settlements to stop.” But as is now widely understood, the aftermath of Cairo was not properly planned for. Though Obama had called on Benjamin Netanyahu to halt the expansion of settlements, he never backed his demand with a specific sanction or the threat of a loss of favor.
As the wonderful exhibition at the Morgan Library makes clear, with its generous sample of photographs, books, corrected proof pages, and letters to and from the writer, Hemingway was already ambitious for fame in his teenage years.