Odds Against Tomorrow by Nathaniel Rich
Act of Congress: How America’s Essential Institution Works, and How It Doesn’t by Robert G. Kaiser
The Civil War and American Art an exhibition at the Smithsonian American Art Museum, Washington, D.C., November 16, 2012–April 28, 2013, and the Metropolitan Museum of Art, New York City, May 21–September 2, 2013
House of Earth by Woody Guthrie, edited and introduced by Douglas Brinkley and Johnny Depp
L’Héritage de Vichy: Ces 100 mesures toujours en vigueur [The Heritage of Vichy: One Hundred Measures That Are Still in Force] by Cécile Desprairies, with a preface by Emmanuel Le Roy Ladurie
Umbrella by Will Self
The Accursed by Joyce Carol Oates
Spillover: Animal Infections and the Next Human Pandemic by David Quammen
How to Get Filthy Rich in Rising Asia by Mohsin Hamid
Five Star Billionaire by Tash Aw
Beggar’s Feast by Randy Boyagoda
The Lives of Margaret Fuller by John Matteson
Margaret Fuller: A New American Life by Megan Marshall
China Hand: An Autobiography by John Paton Davies Jr.
The Cambridge History of Musical Performance edited by Colin Lawson and Robin Stowell
Going Clear: Scientology, Hollywood, and the Prison of Belief by Lawrence Wright
Beyond Belief: My Secret Life Inside Scientology and My Harrowing Escape by Jenna Miscavige Hill, with Lisa Pulitzer
Joseph Brodsky (1940–1996) was a Russian poet and essayist. Born in Leningrad, Brodsky moved to the United States when he was exiled from Russia in 1972. His poetry collections include A Part of Speech andTo Urania; his essay collections include Less Than One, which won the National Book Critics Circle Award, and Watermark. In 1987, he was awarded the Nobel Prize for Literature. He served as US Poet Laureate from 1991 to 1992.
Timothy Garton Ash is Professor of European Studies and Isaiah Berlin Professorial Fellow at St. Antony’s College, Oxford, and a Senior Fellow at the Hoover Institution, Stanford. He currently leads the Free Speech Debate project at Oxford (freespeechdebate.com) and is writing a book about free speech.
Robert Pogue Harrison is Rosina Pierotti Professor in Italian Literature at Stanford. His new book, Juvenescence: A Cultural History of Our Age, will be published this fall by the University of Chicago Press. (July 2014)
Roderick Macfarquhar is Leroy B. Williams Research Professor of History and Political Science at Harvard. His most recent publication as editor and contributor is The Politics of China: Sixty Years of the People’s Republic of China. (March 2014)
Larry McMurtry lives in Archer City, Texas. His novels include The Last Picture Show, Terms of Endearment, Lonesome Dove (winner of the 1986 Pulitzer Prize for Fiction), Folly and Gloryand Rhino Ranch. His nonfiction works include a biography of Crazy Horse, Walter Benjamin at the Dairy Queen, Paradise, Sacagawea’s Nickname: Essays on the American West and, most recently, Custer.
Pankaj Mishra lives in London and India. He is the author of The Romantics, winner of the Los Angeles Times’s Art Seidenbaum Award for First Fiction, and An End to Suffering: The Buddha in the World. He is a frequent contributor to The New York Review of Books and The Guardian. Mishra’s recent books include Temptations of the West: How to Be Modern in India, Pakistan, Tibet, and Beyond and From the Ruins of Empire: The Intellectuals Who Remade Asia.
Robert O. Paxton is Mellon Professor of Social Sciences Emeritus at Columbia. His books include Vichy France: Old Guard and New Order, 1940–1944 and, with Michael R. Marrus, Vichy France and the Jews.
Cathleen Schine is the author of several novels, including Rameau’s Niece, The Love Letter, She is Me, The New Yorkers, and The Three Weissmanns of Westport. Her latest novel, Fin & Lady, was published in July 2013. She is a frequent contributor to The New York Review of Books.
Robert Winter, Distinguished Professor of Music and holder of the Presidential Chair in Music and Interactive Arts at UCLA, is currently preparing for release Music in the Air, the first completely interactive history of Western music. He contributed to the article on performing practice in The New Grove Dictionary of Music. (April 2014)