Pedro Salvadores

Jorge Luis Borges, translated from the Spanish by Norman Thomas di Giovanni

I want to leave a written record (perhaps the first to be attempted) of one of the strangest and grimmest happenings in Argentine history. To meddle as little as possible in the telling, to abstain from picturesque details or personal conjectures is, it seems to me, the only way to do this.

A man, a woman, and the overpowering shadow of a dictator are the three characters. The man’s name was Pedro Salvadores; my grandfather Acevedo saw him days or weeks after the dictator’s downfall in the battle of Caseros. Pedro Salvadores may have been no different from anyone else, but the years and his fate set him apart. He was a gentleman like many other gentlemen of his day. He owned (let us suppose) a ranch in the country and, opposed to the tyranny, was on the Unitarian side. His wife’s family name was Planes; they lived together on Suipacha Street near the corner of Temple in what is now the heart of Buenos Aires. The house in which the event took place was much like any other, with its street door, long arched entranceway, inner grillwork gate, its rooms, its row of two or three patios. The dictator was, of course, Rosas.

One night, around 1842, Salvadores and his wife heard the growing muffled sound of horses’ hooves out on the unpaved street and the riders shouting their drunken vivas and their threats. This time Rosas’s henchmen did not ride on. After the shouts came repeated knocks at the door; while the men began forcing it, Salvadores was able to pull the dining room table aside, lift the rug, and hide himself down in the cellar. His wife dragged the table back in place. The mazorca broke into the house; they had come to take Salvadores. The woman said her husband had run away to Montevideo. The men did not believe her; they flogged her, they smashed all the blue chinaware (blue was the Unitarian color), they searched the whole house, but they never thought of lifting the rug. At midnight they rode away, swearing that they would soon be back.

Here is the true beginning of Pedro Salvadores’s story. He lived nine years in the cellar. For all we may tell ourselves that years are made of days and days of hours and that nine years is an abstract term and an impossible sum, the story is nonetheless gruesome. I suppose that in the darkness, which his eyes somehow learned to decipher, he had no particular thoughts, not even of his hatred or his danger. He was simply there—in the cellar—with echoes of the world he was cut off from sometimes reaching him from overhead: his wife’s footsteps, the bucket clanging against the lip of the well, a heavy rainfall in the patio. Every day of his imprisonment, for all he knew, could have been the last.

His wife let go all the servants, who could possibly have informed against them, and told her family that Salvadores…

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