Molly Crabapple is the author of Drawing Blood and, with Marwan Hisham, of Brothers of the Gun. Her artwork is in the permanent collection at the Museum of Modern Art.
 (December 2018)

IN THE REVIEW

Where Else Can They Go?

A detail from a page of Olivier Kugler’s Escaping Wars and Waves: Encounters with Syrian Refugees, showing a Syrian refugee in the Calais Jungle camp in France

Escaping Wars and Waves: Encounters with Syrian Refugees

by Olivier Kugler

The Unwanted: Stories of the Syrian Refugees

by Don Brown
In 2016, the year Macedonia completely closed its borders to Syrian refugees, I met a young Palestinian man named Walid in a squalid army-run camp on the Greek island of Samos. I was writing a magazine story on the conditions in such camps following the deal that March between the …

NYR DAILY

My Great-Grandfather the Bundist

Though the Bund was largely obliterated by Nazi Germany and the Soviet Union, the group’s opposition to Zionism better explains its absence from current consciousness. The Bund celebrated Jews as a nation, but they irreconcilably opposed the establishment of Israel as a separate Jewish homeland in Palestine. The diaspora was home, the Bund argued. Jews could never escape their problems by the dispossession of others. Instead, Bundists adhered to the doctrine of do’ikayt or “Hereness.” Jews had the right to live in freedom and dignity wherever it was they stood.

‘The Fatal Conscience’: Julia de Burgos, Puerto Rico’s Greatest Poet

Portrait of Julia de Burgos

Julia de Burgos’s life spanned Puerto Rico’s full entrenchment as a colony of the United States, while her public life as the island’s most celebrated and acclaimed poet took place against the backdrop of the twentieth-century’s global conflict between fascism and democracy. The problems Puerto Ricans face today, as their impoverished island fights for survival in an era when the international order seems to be coming apart, are the legacy of the struggles De Burgos faced. In January, I traveled to Puerto Rico with my father, carrying a copy of Julia de Burgos’s letters, visiting the places she had lived, trying to hear her voice. 

How Turkey’s Campaign in Afrin Is Stoking Syrian Hatreds

Turkish-backed Syrian National Army fighters preparing to destroy a statue of Kaveh, a heroic figure in Kurdish mythology, in Afrin, Syria, March 18, 2018

On March 18, Turkey completed its conquest of Afrin, formerly a majority Kurdish city. Photos of the events soon flooded social media. Though far from the worst violations of the war, the scenes were emblematically dismal. Fighters from the Syrian National Army, now Turkey’s proxy militia, fired their rifles into the air at Afrin’s main roundabout, snapping selfies with their free hands. If a government had wanted to stoke new hatred between Kurds and Arabs, it couldn’t have staged a better show.

Puerto Rico’s DIY Disaster Relief

Two weeks after Hurricane Maria hit, aid remained a bureaucratic quagmire, mismanaged by FEMA, the FBI, the US military, the laughably corrupt local government. The island looked like it was stuck somewhere between the nineteenth century and the apocalypse. But leftists, nationalists, socialists—the anarchist and feminist Louisa Capetillo’s sons and daughters—were stepping up to rebuild their communities. Natural disasters have a way of clarifying things. They sweep away once-sturdy delusions, to reveal old treasures and scars.