Ted Reichman

Wind in the Nave

Medna Roso documents a revelatory encounter between improvising musicians and Balkan vocalists in a Cologne church. 

A Sketchbook in Sound

Charles Stepney's avant-garde production fused Chicago's blues, soul, and R&B traditions with psychedelic pop.

My Quarantine: One More Vibration

On March 6, 2020, one of the last days of what we might call normalcy, I bought a violin at a thrift store outside Boston.

Haley Fohr’s ‘Salomé’

Reminiscent of Miles Davis’s controlled use of his trumpet, Haley Fohr revels in the negative space created by the absence of her voice, letting the hypnotic layers of instrumental sound build tension and intensity. As the story reached its fatal dénouement, Fohr chanted the name “Salomé,” the only recognizable word she pronounced during the entire performance.