Norton, 70 pp., $17.95
Like everything else in Ireland, poetry is contentious. There is always an occasion of outrage. Two or three years ago the choice of poems in The Field Day Anthology of Irish Writing made women poets feel yet again neglected, suppressed. Eavan Boland was their most vigorous speaker. With notable success she made the dispute a public issue and set radio and TV programs astir. But she is not only a campaigner. Within the past few years and after a precocious start she has emerged as one of the best poets in Ireland. When she published her first book of poems, New Territory, in 1967, it was hard to distinguish her voice from the common tone of English poetry at large: wordly, cryptic, Larkinesque. It was the book of a young poet, premature in its certitude. She needed the reading and writing of several years to achieve the true voice of her feeling.
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