Edmund White
Edmund White has written biographies of Jean Genet, Marcel Proust, and Arthur Rimbaud. He has also written several novels, travel books, and a memoir. He teaches writing at Princeton and lives in New York City.
From the Review
July 2, 2009: Sensual in the South
Ardent Spirits: Leaving Home, Coming Back by Reynolds Price
February 12, 2009: The Loves of the Falcon
Glenway Wescott Personally: A Biography by Jerry Rosco
The Grandmothers with an introduction by Sargent Bush Jr.
Goodbye, Wisconsin with an introduction by Jerry Roscoe and illustrations by Steve Chappell
Apartment in Athens with an introduction by David Leavitt
The Pilgrim Hawk: A Love Story with an introduction by Michael Cunningham
October 23, 2008: 'In Love with Duras' (letter)
June 26, 2008: In Love with Duras
Wartime Writings: 1943–1949 by Marguerite Duras, edited by Sophie Bogaert and Olivier Corpet, and translated from the French by Linda Coverdale
The War: A Memoir by Marguerite Duras,translated from the French by Barbara Bray
The North China Lover by Marguerite Duras, translated from the French by Leigh Hafrey
April 3, 2008: The Making of John Rechy
About My Life and the Kept Woman: A Memoir by John Rechy
March 6, 2008: Portrait of a Sissy
October 11, 2007: Sons and Brothers
The Complete Letters of Henry James, 1855–1872 edited by Pierre A. Walker and Greg W. Zacharias, with an introduction by Alfred Habegger
William James: In the Maelstrom of American Modernism by Robert D. Richardson
Henry James at Work by Theodora Bosanquet, edited and with notes by Lyall H. Powers
Henry James Goes to Paris by Peter Brooks
Letters of Marcel Proust translated from the French by Mina Curtiss, with an introduction by Adam Gopnik
June 14, 2007: Bunner & the Sisters (letter)
April 26, 2007: The House of Edith
Edith Wharton by Hermione Lee
April 26, 1984: The Tragedy of Central Europe
March 29, 1984: Nabokov's Passion
From New York Review Books
 | Belchamber Howard Sturgis was close friends with Henry James and Edith Wharton. "More Jamesian than the Master in hinting at melodrama yet keeping it at arm's length, Sturgis is an absolute modern in stirring up tensions on behalf of one of the quietest heroes in British fiction." —The New Republic |