Francine Prose is a Distinguished Visiting Writer at Bard. Her new novel, Mister Monkey, will be published later this month.
 (October 2016)


Quality Lit: She Took Charge

Blanche Knopf at Blake’s Bookshop, London, summer 1946

The Lady with the Borzoi: Blanche Knopf, Literary Tastemaker Extraordinaire

by Laura Claridge
In the opening paragraph of The Lady with the Borzoi, Laura Claridge provides a highly compressed and useful explanation of why one might want to read a biography of Blanche Knopf, who profoundly and permanently influenced the American public’s ideas about, and taste in, literature. In the early years of …

‘Beautiful and Horrible’

‘Window Shopping,’ circa 1930s; photograph by Eudora Welty

Voyage of the Sable Venus and Other Poems

by Robin Coste Lewis
A startling shift in perspective occurs as we read—and remains with us after we have read—the title poem in Robin Coste Lewis’s first collection, Voyage of the Sable Venus and Other Poems, which received the 2015 National Book Award in Poetry. The poem is an incantatory compilation of the names …

Tough & Funny Tales

Aleksandar Hemon, Sarajevo, August 2003

The Making of Zombie Wars

by Aleksandar Hemon
For Joshua Levin, the hero of Aleksandar Hemon’s marvelous comic novel The Making of Zombie Wars, daily life is a source of inspiration, a succession of bruising encounters and near-continuous mortifications that can be mined for the premises of awful films that will never be produced. Scattered throughout the book …

A Talent for the Low & High

Gary Indiana, New York City, 2000

I Can Give You Anything But Love

by Gary Indiana
In an epilogue to I Can Give You Anything But Love, the writer, actor, and artist Gary Indiana explains his decision to avoid the familiar form of the conventional memoir: At some point I began to prune away anything suggesting the sort of “triumph over adversity” theme that gongs through …


The Trouble with Sombreros

Charro Days Festival, Brownsville, Texas, 1997

Novelist Lionel Shriver’s speech expressing her hope that identity politics and the concept of cultural appropriation would turn out to be passing fads contains a kernel of truth encased by a husk of cultural and historical blindness. It seems clear that one part of the fiction writer’s job is “to step into other people’s shoes.” But to paraphrase Freud, sometimes a hat is more than just a hat. Sometimes it is a symbol—and a racist one, at that.

The Music of Blighted Dreams

Conrad Tao and Rod Gilfry in the world premiere of David Lang's The Loser at the Brooklyn Academy of Music, 2016

Adapted from the Thomas Bernhard novel, David Lang’s beautiful and startlingly original new opera The Loser is an obsessive, maddened rant about the ways in which art can change (and destroy) our lives. The gauntlet that Bernhard and his characters have thrown down is: if you aspire to be any sort of artist, particularly a musician, be brilliant, be a genius—or don’t bother.

The Beauty of Belief

A man attempting to control his subject through hypnosis, nineteenth century

“Imponderable” at New York’s Museum of Modern Art and “Tony Oursler: The Imponderable Archive” at the Hessel Museum at Bard College’s Center for Curatorial Studies reveal the intriguing connections between the work of video artist Tony Oursler and his encyclopedic and obsessive collection of over 2,500 images and objects. Nearly all of these objects touch on some aspect of the occult or, perhaps more accurately, on beliefs and belief systems that cannot be supported by (or that run counter to) science.

A Bad Thing in Brooklyn

Tunde Adebimpe, Sebastián Silva, and Kristen Wiig in Silva's Nasty Baby, 2015

Without preaching or making obvious points, Sebastián Silva’s excellent film Nasty Baby, about a gentrifying neighborhood of Brooklyn, reminds us: how many of our daily interactions are shaped by race and class, how well we understand or intuit this fact, and how much about these issues remains unspoken. We feel that a bad thing is happening, as bad things will, and people are doing entirely the wrong things, as people so frequently do.


‘The Brink’

Offhandedly mocking our inadequate, improvisatory foreign policy in Southeast Asia and the Middle East, The Brink is funny, inventive, and fearless in what it has to say about geopolitics.