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Contents

May 10, 1984 • Volume 31, Number 8

LETTERS

Contributors

Robert M. Adams (1915-1996) was a founding editor of the Norton Anthology of English Literature. He taught at the University of Wisconsin, Rutgers, Cornell and U.C.L.A. His scholarly interested ranged from Milton to Joyce, and his translations of many classic works of French literature continue to be read to this day.

Shaul Bakhash is Robinson Professor of History at George Mason University and the author of The Reign of the Ayatollahs: Iran and the Islamic Revolution. (September 2005)

Thomas R. Edwards (1928–2005) was Professor of English at Rutgers and editor of Raritan. His last book was Over Here: Criticizing America.

Arthur Schlesinger, Jr. (1917–2007) was an American historian and social critic. He served as adviser to Presidents Kennedy and Johnson. His Journals: 1952– 2000 were published in 2007.

Janet Malcolm was born in Prague. She was educated at the High School of Music and Art, in New York, and at the University of Michigan. Along with In the Freud Archives, her books include Diana and Nikon: Essays on Photography, Psychoanalysis: The Impossible Profession, The Journalist and the Murderer, The Purloined Clinic: Selected Writings, The Silent Woman: Sylvia Plath and Ted Hughes, The Crime of Sheila McGough, and Reading Chekhov: A Critical Journey. She wrote about the trial of Mazoltuv Borukhova, the mother of Michelle, in her book Iphigenia in Forest Hills, just out in paperback. Her collection Forty-One False Starts: Essays on Artists and Writers will be published in the spring of 2013.


She lives in New York.

Paul Schmidt (1934-1999), translator, poet, actor, librettist, playwright, and essayist, was born in Brooklyn, the oldest of seven children. He received a degree from Colgate University in Russian studies in 1955 and, after a year of graduate work at Harvard, he moved to Paris, where he studied mime with Marcel Marceau and acting with Jacques Charon of the Comédie Française. Drafted in 1958, he served in the US Army Intelligence and on his release resumed his Russian studies; his doctoral thesis on “the stylized theater of V.E. Mejerxol’d” was published as Meyerhold at Work. For eleven years, Schmidt was a professor of Slavic languages at the University of Texas at Austin, where he won the Bromberg Award for Teaching Excellence. His Arthur Rimbaud: Complete Works was published in 1975, and translations of Russian poets, notably Marina Tsvetaeva, followed. A commission from the Dia Foundation supported his translations of Velimir Khlebnikov (four volumes published between 1985 and 1997), allowing him to leave academia and move to New York City. Working with the Yale Repertory Theatre, the American Repertory Theatre, the Guthrie, and other companies, he translated Euripides, Chekhov, Brecht, Genet, Gogol, Marivaux, and Mayakovsky, and wrote three plays of his own, winning the Helen Hayes and Kesselring awards for best play for Black Sea Follies. Providing text and often performing, he collaborated with the Wooster Group and with the avant-garde directors Robert Wilson, JoAnne Akalaitis, David Schweitzer, and Peter Sellars. He also acted in film and television, and in the 1970s devised “The Lost Art of Melodeclamation,” a program of nineteenth-century works for voice and orchestra, which he toured and performed with the pianist Yvar Mikhashoff, who transposed the works for keyboard. The Plays of Anton Chekhov, Schmidt’s translation of twelve of Chekhov’s plays, was published in 1997. From 1993 until the end of his life, he taught translation and dramaturgy at the Yale School of Drama.

Harold Pinter was born in London in 1930. His many plays include The Caretaker, The Birthday Party, and Moonlight. Please also see haroldpinter.org.

Luc Sante is the author of Low Life, Evidence, The Factory of Facts, Kill All Your Darlings, and Folk Photography. He has translated Félix Fénéon’s Novels in Three Lines and written the introduction to George Simenon’s The Man Who Watched Trains Go By (both available as NYRB Classics). He is a frequent contributor to The New York Review of Books and teaches writing and the history of photography at Bard College.

Stephen Spender (1909–1995) was an English poet and essayist. As a young man, he became friends with W.H. Auden, Louis MacNeice, Cecil Day-Lewis, and Christopher Isherwood, a loose collection often referred to as “the Auden Group” or “MacSpaunday.” He published many collections of poems, including The Still Centre and Ruins and Visions, and numerous volumes of nonfiction and other works, including Learning Laughterand Love-Hate Relations.

Keith Thomas is a Fellow of All Souls College, Oxford. He is the author The Ends of Life: Roads to Fulfillment in Early Modern England.

William Shawcross is the author of several books on Cambodia. (December 1996)

Robert Darnton is Carl H. Pforzheimer University Professor and University Librarian at Harvard. His latest book is Poetry and the Police: Communication Networks in Eighteenth-Century Paris.


Jane Jacobs’s most recent book is The Nature of Economies. Her essay in this issue is the introduction to the Modern Library edition of Hard Times, which is being published later this month. (July 2001)