Art Spiegelman is a cartoonist and writer. His Pulitzer Prize–winning graphic novel, Maus, has just been issued as a two-volume boxed set of paperbacks with a booklet of related comics and drawings.
 (March 2020)

IN THE REVIEW

Foolish Questions

Panels from Count Screwloose of Tooloose by Milt Gross, April 5, 1931

SCREWBALL!: The Cartoonists Who Made the Funnies Funny

by Paul C. Tumey

The Art of Rube Goldberg

an exhibition at the Museum of Pop Culture, Seattle, February 11–April 23, 2017; the Grand Rapids Art Museum, May 21–August 27, 2017; Citadelle Art Foundation and Museum, Canadian, Texas, September 15–November 26, 2017; the Contemporary Jewish Museum, San Francisco, March 15–July 8, 2018; the Portland Public Library, Portland, Maine, August 3–September 22, 2018; the National Museum of American Jewish History, Philadelphia, October 12, 2018–January 21, 2019; the Evansville Museum of Arts, History and Science, April 28–July 21, 2019; and the Queens Museum, October 6, 2019–February 9, 2020
Screwball comics tend toward the manic, excessive, over-the-top, obsessive, irrational, anarchic, and grotesque; they can veer toward parody or satire, but at their core they are an assault on reason and its puny limitations. They wage a gleeful war on civilization and its discontents—armed mostly with water-pistols, stink bombs, and laughing gas.

NYR DAILY

Why Mice?

Panel from

Twenty-five years ago, Art Spiegelman published the first of his Maus books—a pair of graphic novels about the experiences of the author’s father during the Holocaust, with Jews drawn as wide-eyed mice and Nazis as menacing cats. Maus II was awarded the Pulitzer prize in 1991—the only graphic novel ever to win—and both books continue to move and provoke readers. In his new book MetaMaus, Spiegelman talks with Hillary Chute, a professor of English at the University of Chicago, about how the Maus books came into being. What follows is the first of two excerpts from their conversation.