You Know You Want This: “Cat Person” and Other Stories
by Kristen Roupenian
It has happened only twice in nearly seventy years: a short story appears in The New Yorker and goes viral, setting off an avalanche of responses. Some readers, fooled by its up-to-date style, misinterpret it as a piece of reportage. Others attack the author as a sadist or a misanthrope.
“Never again will a single story be told as though it were the only one,” John Berger wrote in his novel G. (1972). In the decades that have followed, that line has become a rallying cry for contemporary novelists, including Michael Ondaatje, Arundhati Roy, and, most famously, Chimamanda Ngozi Adichie.
“Usually I try to get patients to confront their families, but in your case I would recommend putting several thousand miles between you and them,” a therapist told Phillip Lopate in 1980. Along with his older brother and their two younger sisters, Lopate had spent his childhood in Brooklyn as …
Joyce Carol Oates is sometimes spoken of as a novelist of sensationalism, her Gothic and morbid tendencies emphasized. In fact, her new book, A Book of American Martyrs, is a deeply political novel, all the more powerful for its many ambiguities.
The Girl from Human Street: Ghosts of Memory in a Jewish Family
by Roger Cohen
In The Girl from Human Street, Roger Cohen, a New York Times columnist whose previous books have investigated the stories of American POWs under the Nazis and the fate of four families in the former Yugoslavia, seeks to excavate the forces, both historical and personal, that shaped his own family.
One of the characters in Ghostwritten, David Mitchell’s first novel, is a “noncorpum”: a disembodied spirit that travels the earth as a parasite on its human hosts. Restlessly seeking a clue to its own origin, it scours their consciousnesses, assimilates their knowledge and experiences as its own, and then transmigrates …