Howard W. French is a Professor at the Columbia University Graduate School of Journalism. He is the author of four books, including A Continent for the Taking: The Tragedy and Hope of Africa. He is at work on a book about the role of Africa and Africans in the launching of modernity. (May 2020)
Sahel: Art and Empires on the Shores of the Sahara
an exhibition at the Metropolitan Museum of Art, New York City, January 30–August 23, 2020
As a senior in college in 1979, I set off with a brother seven years my junior, first by rickety train and then by bush taxi, heading north from the coast and deep into the West African interior. Our point of departure was Abidjan, the gleaming modern financial capital of …
China’s New Red Guards: The Return of Radicalism and the Rebirth of Mao Zedong
by Jude Blanchette
On a blistering Saturday last summer, I made my way to Shanghai’s western waterfront, where an extravagant new cultural corridor has been rising in recent years. My first stop was the cavernous Long Museum West Bund, which was opened in 2014 by Liu Yiqian, one of China’s most ambitious billionaire …
The Golden Rhinoceros: Histories of the African Middle Ages
by François-Xavier Fauvelle, translated from the French by Troy Tice
African Dominion: A New History of Empire in Early and Medieval West Africa
by Michael A. Gomez
It may remain a little-known fact, but Africa has never lacked civilizations, nor has it ever been as cut off from world events as it has been routinely portrayed. Some remarkable new books make this case in scholarly but accessible terms, and they admirably complicate our understanding of Africa’s past and present.
edited by Sahm Venter, with a foreword by Zamaswazi Dlamini-Mandela
The cursory familiarity that many people today have with Nelson Mandela’s story of moral courage and triumph has produced a near-universal secular beatification. Mandela enjoys an image akin to that of Martin Luther King Jr. The late South African has, in other words, become an easy-to-claim hero. From the perspective of the present, Mandela’s ultimate triumph can feel deceptively predestined. His political journey, like that of his country, was far more complex.
Empires in the Sun: The Struggle for the Mastery of Africa
by Lawrence James
All too many publications about the history of Europe’s relationship with Africa fail to sufficiently convey the damage that was done to the African economy, peoples, and political development by the slave trade and European colonialism. Perhaps the most striking recent example of this is Empires in the Sun: The Struggle for the Mastery of Africa, by Lawrence James, an English author who has written extensively on the British Empire. James does not practice outright denialism about European behavior in Africa. But at almost every significant turn in his account, which spans the five centuries from early modern European contacts with the continent to its decolonization beginning in the 1950s, he tends to downplay its ill effects on Africa and wonders aloud why, as he sees it, non-Europeans don’t get held up for comparable scrutiny.
by Benedict Rogers, with a foreword by Václav Havel
Everything Is Broken: A Tale of Catastrophe in Burma
by Emma Larkin
In the ordinarily glacial world of Burmese politics, the last few weeks have been remarkably active. On November 7 the generals who run the country held the first parliamentary elections in twenty years, and only the second in half a century; a few days later, on November 13, they released …
The Corpse Walker: Real-Life Stories, China from the Bottom Up
by Liao Yiwu, translated from the Chinese with an introduction by Wen Huang, and with a foreword by Philip Gourevitch
As a poet and chronicler of other people’s lives, Liao Yiwu is a singular figure among the generation of Chinese intellectuals who emerged after the Tiananmen Square protests in 1989. Unlike the leaders of Beijing’s student movement, people like Wang Dan and Wuer Kaixi, Liao had no part in organizing …
I arrived in Rangoon at the beginning of the monsoon this summer after 36 hours of travel from New York, with a stop in Tokyo and a second change of planes in Bangkok. There I boarded an old Air Myanmar jet, and it was immediately clear that I was traveling to a country that lived in semi-isolation as the plane filled with migrant workers, many of whom were awkwardly toting large, makeshift bundles of carry-on goods—clothing, medicine, electronics, and other items that were either unavailable or unaffordable back home.
Officially, I had come to Burma—ruled by one of the world’s most opaque and repressive regimes—to teach a one-month documentary photography course to local photojournalists. But it was the only country in Southeast Asia I had never managed to visit and I was very eager to explore the place for myself.