Michael Gorra

Philip’s Theater

Philip Roth drew and smudged and drew again the line between life and art, and with every book it became harder to distinguish between them.

The Sense of an Ending

On Don DeLillo’s late style.

The Suspicion of Expertise

Jim Crow & William Faulkner

Faulkner didn’t enjoy much local popularity when he was alive, not even after he won the Nobel Prize. He told too many inconvenient truths, and even some of his relatives saw him as writing “dirty books for Yankees.”

Constance Fenimore Woolson: Sketches from Solitude

Young Woman from the Provinces

Benjamin Moser’s ‘Sontag: Her Life and Work’

A Heritage of Evil

Three books dealing with memory and historical witness

Loving with a Stiff Upper Lip

Southern Discomfort

Shaping Stories to Make Sense of Ourselves

The Nose of the Master

For Henry James’s seventieth birthday in 1913 a group of his admirers commissioned John Singer Sargent to paint him.

Nine Lives

Losing the American Tone

The Portrait of Miss Bart

For a century and more readers have found an awful fascination in watching Lily Bart, the heroine of Edith Wharton’s House of Mirth.

The Girl at the Florist’s

Deep into Green

The history and meaning of a color

The Brilliant Explorations of Elizabeth Spencer

All Blue

The real subject of William Gass’s On Being Blue is language itself, which he sees as glorious to the exact degree that it is also inadequate, unable to sustain an immediate relation between a word on the one hand and its arbitrary and yet indissoluble referent on the other.

Daring

An Inventory of Inhumanity