Reimagining Pakistan: Transforming a Dysfunctional Nuclear State
by Husain Haqqani
When he was young and dreaming of a career in cricket, long before he dreamed of being prime minister of Pakistan, Imran Khan was told to trim his ambitions. He wanted not just to play the sport professionally; he wanted to be a fast bowler, a niche talent in what …
How the BJP Wins: Inside India’s Greatest Election Machine
by Prashant Jha
When Crime Pays: Money and Muscle in Indian Politics
by Milan Vaishnav
Hawa, a Hindi word for wind or air, carries a subtler meaning in Indian politics. A politician’s hawa is the tailwind that propels him to victory; it is the superior momentum that comes with being on a roll. For the past five years in the world’s biggest democracy, one man, one party, and one ideological current have pretty much cornered all the hawa. A puffing guardian spirit tangibly energizes Narendra Modi, India’s prime minister; despite his modest stature, the bearded sixty-seven-year-old can fill a room with a swirling air of quiet purpose or, some would say, menace. All across the country hawa can be felt ruffling the ubiquitous orange flags of his Bharatiya Janata, or Indian People’s Party (BJP), and stirring the long-suppressed ambitions of the Sangh Parivar, the “family” of Hindu nationalist groups that is the party’s ideological home.
Ayaan Hirsi Ali bluntly declares her intention in the introduction to her new book: “To make many people—not only Muslims but also Western apologists for Islam—uncomfortable.” Discomfort, alas, comes easily when the subject, as in the Somali-born author’s three previous books, happens to be the sorry state of Islam.
by Sinan Antoon, translated from the Arabic by the author
The use of seemingly gratuitous cruelty as a form of display—as a talisman of godlike power and an advertisement of worldly success—has old roots in Iraq. Some can be traced just outside of Mosul in the fields of dusty ruins that mark the sites of Nineveh and Nimrud, great cities of the ancient Assyrian empire.
News cameras may zoom lustily into Middle Eastern crowds that vow vengeance. Pundits can cleverly parse the praise for a fallen warrior voiced by the usual Islamist hotheads. Cooler analysts will fret over the uses of assassination as a tool of policy, or over the finer points of Muslim doctrine regarding burial at sea. Yet for the most part the demise of the world’s most wanted man has been met, across the Arab and Muslim worlds, with a very untelegenic shrug of indifference.
It’s hard to imagine a longer or more pressing “to do” list than that of Yemen’s president, Ali Abdullah Saleh. Quite apart from the attempt by Yemeni jihadists to plant parcel bombs in US-bound cargo planes, he is beset with trouble: Recent times have seen a hideous surge in hunger among Yemeni children and a plunge in the level of ground water supplies and oil reserves. A war against northern rebels has raged for six years, smashing towns and villages and turning 350,000 people into refugees while draining the central government’s already shallow coffers. In the south, would-be revivers of the defunct 1968–1990 People’s Democratic Republic of Yemen are gaining force, threatening to split the nation in two and snatch the richest oilfields, to boot. And then of course there’s the daily chore of keeping family, clan and a web of cronies happy, while appeasing tribal sheikhs, religious leaders, opposition parties and the haughty Western diplomats who supply vital top-ups of aid.
Perhaps it was the squirrels and peacocks leaping in the foliage overhead. Or maybe the way the rambling grounds of the Diggi Palace divided into separate tableaux—here Gulzar, a venerated Urdu poet, recited before a rapt audience, there a pair of London publishers toasted a trio of hard drinking and smoking Kashmiris, while over on the lawn tablas thumped and sittars whined. All this made it hard not to feel like a figure in an outsized miniature, such as those late paintings of the great durbars of the Raj, in which suited British officers faced off against far more splendidly plumed native rulers. Yet the Jaipur Literature Festival, now in its fifth year, is determinedly void of pomp and hierarchy.