Random House, 551 pp., $29.95
Henry Holt, 300 pp., $26.00
HarperPerennial, 160 pp., $12.00 (paper)
Modern Library, 167 pp., $16.95
The photograph of the mutable Edna St. Vincent Millay that peers out from the cover of Nancy Milford's new biography recalls the face of a Vermeer. But not a Vermeer painted in the likely way—upside down, via camera obscura, so the features and creamy surfaces come together abstractly, with the sweet extraterrestrial look of sainthood or Down's syndrome. The portrait on the cover of Milford's book, despite the tortured Flemish-flapper coif, beneath which sits the elegant bone structure and porcelain finish of a teapot, is mesmerizingly human: Millay's unaverted gaze is seen right side up, captured not as a collection of abstract qualities but as part of the living, breathing features of a complex and elusive woman.
Review, 4563 words
To read the full text of this piece, please choose one of the following options:
|
If you are already a subscriber to the Review's electronic edition, please sign in: |
To subscribe to the electronic edition, please press the button below. |
To purchase access to this article for $3, please press the button below. |