In Mad, Bad, Dangerous to Know: The Fathers of Wilde, Yeats and Joyce, Colm Tóibín sketches the lives of three men who talked their memories into their sons’ memories, and so helped father twentieth-century Irish literature.

René Girard (1923–2015) was one of the last of that race of Titans who dominated the human sciences in the nineteenth and twentieth centuries with their grand, synthetic theories about history, society, psychology, and aesthetics. That race has since given way to a more cautious breed of “researchers” who prefer to look at things up close, to see their fine grain rather than their larger patterns. Yet the times certainly seem to attest to the enduring relevance of Girard’s thought to our social and political realities.