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Adam Kirsch

Adam Kirsch is a poet and critic. His selection of Lionel Trilling’s letters, Life in Culture, will be published in September. (June 2018)

IN THE REVIEW

Zionist Regrets

Gershom Scholem, circa 1970

Gershom Scholem: Master of the Kabbalah

by David Biale

Gershom Scholem: From Berlin to Jerusalem and Back

by Noam Zadoff, translated from the Hebrew by Jeffrey Green
Gershom Scholem was one of the great scholars of the twentieth century. Almost single-handedly, he created the modern academic study of Jewish mysticism, a subject that had been scorned by earlier generations of historians. But that achievement, remarkable though it is, hardly explains why he remains such an object of …

Stuff of Scandal

Egon Schiele: The Artist’s Mother, Sleeping, 1911

Klimt and Schiele: Drawn

an exhibition at the Museum of Fine Arts, Boston, February 25–May 28, 2018

Klimt and Schiele: Drawings

by Katie Hanson
As you enter “Klimt and Schiele: Drawn,” at the Museum of Fine Arts in Boston, you are faced with a choice. Begin on the left, with Gustav Klimt’s Seated Woman in a Pleated Dress, and you will find yourself following Klimt down one wall of the single, large room; pick …

Classical Cancan

Jacques Offenbach; engraving by André Gill from the cover of La Lune, 1866

Jacques Offenbach and the Making of Modern Culture

by Laurence Senelick

The Real “Tales of Hoffmann”: Origin, History, and Restoration of an Operatic Masterpiece

by Vincent Giroud and Michael Kaye, with a foreword by Plácido Domingo
By the time he died in 1880 at the age of sixty-one, Jacques Offenbach had composed more than one hundred works of musical theater, from two-character sketches to full-scale operas. Yet today, in the United States at any rate, his reputation rests primarily on just one piece, his very last—Les …

Ironists of a Vanished Empire

Edge of Irony: Modernism in the Shadow of the Habsburg Empire

by Marjorie Perloff
There is a whole academic industry devoted to the writers, thinkers, and artists who flourished in Weimar Germany—figures like Thomas Mann, Walter Benjamin, Bertolt Brecht, and Kurt Schwitters. But Marjorie Perloff believes that this focus on Germany has cast a shadow over the distinctively different work done by twentieth-century German writers who lived in the territories once belonging to the Habsburg Empire.

The Stranger in Love

Peter Handke in the garden of Bartenstein Castle, Schrozberg, Germany, 1999

The Moravian Night: A Story

by Peter Handke, translated from the German by Krishna Winston
The Moravian Night might seem like the inevitable English title for Peter Handke’s 2008 novel Die morawische Nacht, but it is actually rather misleading. Moravia is the eastern region of the Czech Republic, whose largest city is Brno; Mähren in German, it is called Moravia in English (and Latin) after …

NYR DAILY

The Strange Paradise of Paul Scheerbart

In general, to predict that technology will solve all the problems it has caused—that we can innovate ourselves out of global warming, for instance—today seems childishly, intolerably optimistic. It is exactly that kind of unfashionable, childlike hopefulness that animates the writing of Paul Scheerbart, a German writer whose name is only now becoming familiar to English readers, a hundred years after his death.