Patricia Storace is the author of Heredity, a volume of poems, Dinner with Persephone, a travel memoir about Greece, and Sugar Cane, a children’s book. Her most recent book is the novel A Book of Heaven.
 (July 2016)


The Shock of the Little

Whiteladies House, designed by Moray Thomas and built by William Purse, 1935; from the ‘Small Stories’ exhibition. ‘With a swimming pool, cocktail bar, and murals by the Futurist painter Claude Flight,’ Patricia Storace writes, this dollhouse ‘evokes Noël Coward’s songs in praise of madcap pranks and improvised parties, and Evelyn Waugh’s Bright Young Things.’

Small Stories: At Home in a Dollhouse

an exhibition at the Victoria and Albert Museum of Childhood, London, December 13, 2014–September 6, 2015, and the National Building Museum, Washington, D.C., May 21, 2016–January 22, 2017
Changing scale is one of the fundamental physical dramas of childhood, an experience of constantly being uncontrollably altered, whose translation into imagination—and knowledge—naturally preoccupies many classics of children’s literature. In Alice in Wonderland, Alice is both miniaturized and magnified. Her abrupt and helpless metamorphoses in both directions are comic, ridiculous, …

The ‘Darkness and Radiance’ of the Tale

Miranda Raison as Hermione and Kenneth Branagh as Leontes in Branagh’s and Rob Ashford’s production of The Winter’s Tale at the Garrick Theatre, London, 2015

The Gap of Time: The Winter’s Tale Retold

by Jeanette Winterson

The Winter’s Tale

by William Shakespeare, directed by Rob Ashford and Kenneth Branagh, Garrick Theatre, London, October 17, 2015–January 16, 2016
Jeanette Winterson’s The Gap of Time, the inaugural volume of what Hogarth Press is calling, borrowing the language of recording studios, “cover versions” of Shakespeare’s plays, is a retelling of the late romance The Winter’s Tale, first performed at the Globe and then before King James I at court in …

Seduced by the Food on Your Plate

Boris Kustodiev: The Merchant’s Wife’s Tea, 1918

The Culinary Imagination: From Myth to Modernity

by Sandra M. Gilbert
Dr. Johnson famously suggested that a man not preoccupied with the excellence of his dinner “should be suspected of inaccuracy in other things.” If he had made that remark today, it would probably be published with a mosaic of reminiscences and images of suppers he’d had at his pub, the Cheshire Cheese, and a link to the food vocabulary in his online dictionary.

Queens of the Night

Set design by Leon Bakst for the Ballets Russes production of Scheherazade, circa 1910

Stranger Magic: Charmed States and the Arabian Nights

by Marina Warner

One Thousand and One Nights

a retelling by Hanan al-Shaykh, with a foreword by Mary Gaitskill
On June 24, 1911, the fashion designer Paul Poiret held a much-anticipated costume party in Paris, which he promised would “be the Thousand and Second Night.” The guests, who had received invitations designed by Raoul Dufy, were led past a huge golden cage, in which Madame Poiret was imprisoned, along …

‘A Woman Running from the News’

David Grossman protesting in the East Jerusalem neighborhood of Sheikh Jarrah in support of evicted Palestinian families, September 2010

To the End of the Land

by David Grossman, translated from the Hebrew by Jessica Cohen
There is a striking difference in register between the titles of the Hebrew and the English versions of David Grossman’s lengthy, ambitious novel. The portentous literary title in English, “To the End of the Land,” stakes an epic claim; it has the grandiloquence that reminds one of titles like Gone with the Wind or From Here to Eternity. By contrast, the simplicity of its Hebrew title—“A Woman Running from the News”—announces another novel altogether, a realist novel of contemporary life, the story of a particular person at a particular moment.


Agnès Varda’s Double Portrait

JR and Agnès Varda in their film Faces Places, 2017

Faces Places is an unexpected—and perhaps final—gift from the visionary eighty-nine-year-old director Agnès Varda. As a collaboration with her youthful co-director, JR, an artist famous for his monumental installations of black-and-white photo portraits, the film is a double portrait. It also has a double subject: the unexpected delights and discoveries of documenting the lives of the people they encounter in corners of France, and of the bittersweet, and inevitably transitory, friendship making this film creates between the two artists, travelers in different centuries, looking at the world together and experiencing each other.