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‘Unacceptable Damage’

Hiroshima and Nagasaki: The Physical, Medical, and Social Effects of the Atomic Bombings by the Atomic Bombs in Hiroshima and Nagasaki

by the Committee for the Compilation of Materials on Damage Caused, translated by Eisei Ishikawa and David L. Swain

Unforgettable Fire: Pictures Drawn by Atomic Bomb Survivors

edited by the Japan Broadcasting Corporation


Timerman and His Enemies

Prisoner Without a Name, Cell Without a Number

by Jacobo Timerman, translated by Toby Talbot


Patriot

The Strange Destiny of Rupert Brooke

by John Lehmann


The Message of the Insider

A Life in Our Times: Memoirs

by John Kenneth Galbraith


On the Indian World-Mountain

Midnight's Children

by Salman Rushdie


Scaffolding of Lies

The Rise of the Gulag: Intellectual Origins of Leninism

by Alain Besançon, translated by Sarah Matthews


Ravings of a Renegade

Evangelist of Race: The Germanic Vision of Houston Stewart Chamberlain

by Geoffrey G. Field


The Flood Next Time

Man in the Holocene

by Max Frisch, translated by Geoffrey Skelton

Triptych

by Max Frisch, translated by Geoffrey Skelton


The ‘Shadow’ and the Substance

Die Frau ohne Schatten by Hugo von Hofmannsthal and Richard Strauss: An Analysis of Text, Music, and Their Relationship

by Sherrill Hahn Pantle. German Studies in America, No. 29, edited by Heinrich Meyer

Die Frau ohne Schatten (The Woman Without a Shadow)

English version of the libretto by Eric Crozier

Richard Strauss: The Staging of His Operas and Ballets

by Rudolf Hartmann


Two Cheers for Ike

The Eisenhower Diaries

edited by Robert H. Ferrell

The Declassified Eisenhower

by Blanche Wiesen Cook

Eisenhower and the Cold War

by Robert A. Divine

Ike's Spies: Eisenhower and the Espionage Establishment

by Stephen E. Ambrose

Eisenhower the President: Crucial Days, 1951-1960

by William Bragg Ewald Jr.

Eisenhower's Lieutenants

by Russell F. Weigley

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Ecstasy

Bernini and the Unity of the Visual Arts

by Irving Lavin


Who Brought Home the Bacon?

Woman the Gatherer

edited by Frances Dahlberg


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