The Mandelstam and "Der Nister" Files: An Introduction to Stalin-era Prison and Labor Camp Records
by Peter B. Maggs
Arrested Voices: Resurrecting the Disappeared Writers of the Soviet Regime
by Vitaly Shentalinsky, translated by John Crowfoot, Introduction by Robert Conquest
Intimacy and Terror: Soviet Diaries of the 1930s
edited by Véronique Garros and Natalia Korenevskaya and Thomas Lahusen, translated by Carol A. Flath
The Bride of Texas
by Josef Skvorecky, translated by Káca Polácková Henley
Headed for the Blues: A Memoir
by Josef Skvorecky, translated by Káca Polácková Henley
Deposition of Raúl Salinas de Gortari
published in Epoca
Lessons of the Mexican Peso Crisis Foreign Relations, John C. Whitehead, Chairman, Marie-Josée Kravis, Project Director.
Report of an Independent Task Force sponsored by the Council on
The Mexican Shock: Its Meaning for the United States
by Jorge G. Castañeda
Bordering on Chaos: Guerrillas, Stockbrokers, Politicians, and Mexico's Road to Prosperity
by Andres Oppenheimer
The Statement
by Brian Moore
Memory, the Holocaust, and French Justice: The Bousquet and Touvier Affairs
edited by Richard J. Golsan
The Occult Roots of Nazism: Secret Aryan Cults and Their Influence on Nazi Ideology; The Ariosophists of Austria and Germany, 1890-1935
by Nicholas Goodrick-Clarke
The Jung Cult: Origins of a Charismatic Movement
by Richard Noll
Remembering Anna O.: A Century of Mystification
by Mikkel Borch-Jacobsen, translated by Kirby Olson, in collaboration with Xavier Callahan
Madame Blavatsky's Baboon: A History of the Mystics, Mediums, and Misfits Who Brought Spiritualism to America
by Peter Washington
The White Blackbird: A Life of the Painter Margarett Sargent by Her Granddaughter
by Honor Moore
Degas as a Collector
exhibition at the National Gallery, London, through August 26, 1996.. Catalog of the exhibition and Ann Dumas
Degas: Beyond Impressionism The Art Institute of Chicago, September 30, 1996-January 5, 1997.
exhibition at the National Gallery, London, through August 26, 1996;. Catalog of the exhibition and Richard Kendall
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