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Robert Lowell
The March (poem)
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V.S. Pritchett
The Autodidacts
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Anthony Quinton
Cut-Rate Salvation
McLuhan: Hot and CoolA Critical Symposium edited by G.E. Stearn
The Medium Is the Massage by Marshall McLuhan, by Quentin Fiore
The Mechanical Bride by Marshall McLuhan
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Paul Goodman
A Causerie at the Military-Industrial
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Robert Mazzocco
Counter-Songs
Poems Three by Alan Dugan
Variety Photoplays by Edward Field
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W.W. Bartley III
Hello Out There
If This Be Heresy by James A. Pike
The Bishop Pike Affair by William Stringfellow, by Anthony Towne
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Stephen Spender
Randall Jarrell’s Complaint
Randall Jarrell, 1914-1965 edited by Robert Lowell, edited by Peter Taylor, edited by Robert Penn Warren
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Elie Kedourie
Not So Grand Illusions
The Shaping of the Arabs: A Study in Ethnic Identity by Joel Carmichael
The Struggle for Syria: A Study of Post-War Arab Politics, 1945-1958 by Patrick Seale
The Arab Cold War, 1958-1967: A Study of Ideology in Politics (Second Edition) by Malcolm Kerr
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M.I. Finley
Daedalus Lives!
The Maze Maker by Michael Ayrton
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Irving Howe,
Philip RahvAn Exchange on the Left
LETTERS
Contributors
Paul Goodman (1911–1972) was an American social critic, psychologist, poet, novelist, and anarchist, whose writings appeared in Politics, Partisan Review, The New Republic, Commentary, The New Leader, Dissent, and The New York Review of Books. He published several well-regarded but little-known books in a variety of fields—including city planning, Gestalt therapy, educational reform, literary criticism, and politics—before Growing Up Absurd, cancelled by its original publisher and turned down by a further eighteen, was brought out by Random House in 1960 and became an instant bestseller. Its author became an influential leader of the New Left and anti-war movements and a model for a new generation of critics like Susan Sontag, who wrote: “There is no living American writer for whom I have left the same simple curiosity to read as quickly as possible anything he wrote on any subject.” “Paul Goodman Changed My Life,” a 2011 documentary directed by Jonathan Lee and distributed by Zeitgeist Films, continues to play at film festivals and independent cinemas. The film received excellent reviews in such publications as The New York Times, Variety, The New York Post, Village Voice, and Time Out New York.


