Martin Filler

Burkina Faso’s Master Builder

Africa’s first Pritzker Prize winner, Francis Kéré, has a small yet remarkably original and cohesive body of work and a commitment to fostering social and democratic values through architecture.

A Garden City in Queens

After nearly a century Sunnyside Gardens remains a model of how to create and sustain affordable urban housing.

Hollywood’s Master Builder

The African-American architect Paul R. Williams channeled the glamorous but breezy spirit of the Golden Age of Hollywood in designs that allowed his clients and the public to imagine themselves in fantasies akin to those spun out by the great movie studios.

Reckoning with Nazism in Occupied Norway

Planning an Aryan Paradise

The Nazis had ambitious plans for reshaping Norwegian architecture and infrastructure.

Life in a Glass House

What went wrong between Ludwig Mies van der Rohe and Dr. Edith Farnsworth over the six years they worked to create the Farnsworth house?

Eileen Gray’s Infinite Possibilities

Modernism, Inc.

Pandemic Journal, March 23–29

Brief dispatches by New York Review writers documenting the coronavirus outbreak around the world, including Michael Greenberg in Brooklyn, Raquel Salas Rivera in San Juan, Aida Alami in Paris, Rahmane Idrissa in Niamey, and more.

Trump’s Towering Folly on Federal Architecture

The effective ban on modern architecture commissioned by the US government that Trump proposes is horrifyingly reminiscent of Hitler’s insistence that public buildings in the Third Reich hew to the Classical tradition.

The Ceaseless Innovation of Duane Michals

Duane Michals is something of a superannuated Huck Finn, an incorrigibly subversive and inimitably American scamp always lighting out for new creative territories.

Megalo-MoMA

Now, to go with the airport-terminal style of the Taniguchi building, we have a combination of corporate bank branch and provincial convention center.

The Unsinkable Modernist

Walter Gropius and the Bauhaus

The ‘Bold Vagaries’ of Frank Furness

I.M. Pei: Establishment Modernism Lite

I.M. Pei was always adept at spinning rationales about why a particular design of his was not only logical but inevitable. He favored iconography that aimed to soothe and impress.

The Godfather

Mark Lamster’s ‘The Man in the Glass House: Philip Johnson, Architect of the Modern Century’

A Gilded Age at Architectural Digest

Snobbish New Yorkers may have snickered at the glitziness Paige Rense favored in the pages of Architectural Digest, but the rest of America lapped it up. Love it or loathe it, her approach conveyed an impressively unified vision and it did indeed make AD’s parent company, Knapp Communications, pots of money.

Robert Venturi: Visionary of Main Street

Rather than being ironic and condescending, Robert Venturi and Denise Scott Brown’s commercial and quotidian borrowings represented their belief that “Main Street is almost all right,” and that there is much to be learned from popular taste. Their support of a more egalitarian, inclusive approach to high-style architecture might have been their most important accomplishment.

Paris, Texas

Wagner’s Wonder Woman

So vivid are my memories of the incomparable Swedish soprano Birgit Nilsson—by general consent the foremost female Wagner exponent in the second half of the twentieth century—that it came as a shock to realize that this year is her centennial.