Martin Filler

Before the Wrecking Ball Swung

A new volume of photographs taken for the Historic American Buildings Survey captures the program’s wide influence on architectural culture. 

The Neotraditionalist

The architect Robert A. M. Stern is America's most vociferous and successful exponent of a Classicism that would be considered anachronistic in much of the rest of the world.

Oppie’s Problem

Christopher Nolan's Oppenheimer captures the drama of the physicist’s life to thrilling effect but glosses over an essential part of his conundrum.

Poet of Shubert Alley

The late Broadway lyricist Sheldon Harnick, in Fiddler on the Roof and above all She Loves Me, gave the musical comedy a rare insight, poetic delicacy, and emotional intimacy. 

Too Good for Hollywood

Despite her long career on stage and screen—from an Oscar nomination to the blacklist—Aline MacMahon never became a household name.

The Gilder Age

The architecture of the American Museum of Natural History’s new addition is as oppressively weighty as its exhibitions are spellbinding. 

The Architect and the Rock Star

Two new books of personal photographs, one by Phyllis Lambert, the other by Patti Smith, have thematic congruities but markedly different tones.  

The Architect of Subtraction

Adolf Loos’s radical designs pared down architecture to its most basic elements.

Beauty and Utility

“A well-executed building or inviting public space can bring people together in ways that strengthen our communal values and at the same time make us more aware of our individuality.”

Whips and Vines

Recent books and exhibitions reveal that behind its undulating lines and swirling excesses, Art Nouveau was far more complex and nuanced than we once believed.

Xanadu’s Architect

Despite designing over seven hundred buildings, the pioneering female architect Julia Morgan is now best known for a single, extremely eccentric commission: San Simeon, the estate of the legendary newspaper proprietor William Randolph Hearst.

Burkina Faso’s Master Builder

Africa's first Pritzker Prize winner, Francis Kéré, has a small yet remarkably original and cohesive body of work and a commitment to fostering social and democratic values through architecture.

A Garden City in Queens

After nearly a century Sunnyside Gardens remains a model of how to create and sustain affordable urban housing.

Hollywood’s Master Builder

The African-American architect Paul R. Williams channeled the glamorous but breezy spirit of the Golden Age of Hollywood in designs that allowed his clients and the public to imagine themselves in fantasies akin to those spun out by the great movie studios.

Reckoning with Nazism in Occupied Norway

Planning an Aryan Paradise

The Nazis had ambitious plans for reshaping Norwegian architecture and infrastructure.

Life in a Glass House

What went wrong between Ludwig Mies van der Rohe and Dr. Edith Farnsworth over the six years they worked to create the Farnsworth house?

Eileen Gray’s Infinite Possibilities

Modernism, Inc.

Pandemic Journal, March 23–29

Brief dispatches by New York Review writers documenting the coronavirus outbreak around the world, including Michael Greenberg in Brooklyn, Raquel Salas Rivera in San Juan, Aida Alami in Paris, Rahmane Idrissa in Niamey, and more.