Self-Consciousness: Memoirs by John Updike
Self-Consciousness: Memoirs by John Updike
Raj: A Novel by Gita Mehta
Maharaja: The Spectacular Heritage of Princely India by Andrew Robinson, photographs by Sumio Uchiyama
Passions Within Reason: The Strategic Role of the Emotions by Robert H. Frank
Trust: Making and Breaking Cooperative Relations edited by Diego Gambetta
Goldwyn: A Biography by A. Scott Berg
An Empire of Their Own: How the Jews Invented Hollywood by Neal Gabler
The Search for Sam Goldwyn: A Biography by Carol Easton
The Hollywood Studios: House Style in the Golden Age of the Movies by Ethan Mordden
Thinking Tuna Fish, Talking Death: Essays on the Pornography of Power by Robert Scheer
Inventing the Dream: California Through the Progressive Era by Kevin Starr
City of Nets: A Portrait of Hollywood in the 1940’s by Otto Friedrich
John Ford by Andrew Sinclair
The Deer Park by Norman Mailer
Hollywood Glamor Portraits: 145 Photos of Stars, 1926-1949 edited by John Kobal
The Image Makers: Sixty Years of Hollywood Glamour text by Paul Trent, designed by Richard Lawton
Proceed With Caution: Predicting Genetic Risks in the Recombinant DNA Era by Neil A. Holtzman
I Served the King of England by Bohumil Hrabal, translated by Paul Wilson
My First Loves by Ivan Klíma, translated by Ewald Osers
Catapult: A Timetable of Rail, Sea, and Air Ways to Paradise by Vladimír Páral, translated and with an introduction by William Harkins
Sins for Father Knox by Josef Skvorecky, translated by Kaca Polackova Henley
I modi: The Sixteen Pleasures: An Erotic Album of the Italian Renaissance by Giulio Romano and Marcantonio Raimondi and Pietro Aretino and Count Jean-Frédéric-Maximilien de Waldeck, edited, translated, and with a commentary by Lynne Lawner
Medieval Civilization: 400-1500 by Jacques Le Goff, translated by Julia Barrow
The Medieval Imagination by Jacques Le Goff, translated by Arthur Goldhammer
Your Money or Your Life by Jacques Le Goff, translated by Patricia Ranum
Mozart, Piano Concertos No. 20 in D minor, K. 466, and No. 21 in C, K. 467 conducted by John Eliot Gardiner with Malcolm Bilson, fortepiano, and English Baroque Soloists,
Mozart, Piano Concertos No. 22 in E flat, K. 482, and No. 23 in A, K. 488 conducted by John Eliot Gardiner with Malcolm Bilson, fortepiano, and English Baroque Soloists,
Mozart, Piano Concertos No. 25 in C, K. 503, and No. 26 in D, K. 537 conducted by John Eliot Gardiner with Malcolm Bilson, fortepiano, and English Baroque Soloists,
Mozart and Schnabel, Vol. II, Piano Concerto No. 20 with the Philharmonia Orchestra, conducted by Walter Susskind
Mozart and Schnabel, Vol. II, Piano Concerto No. 21 with the London Symphony Orchestra, conducted by Sir Malcolm Sargent
Mozart and Schnabel, Vol. II, Sonata No. 12 in F, K. 332 with the London Symphony Orchestra, conducted by Sir Malcolm Sargent
Mozart, Piano Concerto No. 26 in D, K. 537, and Rondos, K. 382 and 386 with Murray Perahia, piano and, the English Chamber Orchestra.
Mozart, Piano Concertos No. 23 in A, K. 488, and No. 27 in B flat, K. 595 with Vladimir Ashkenazy, piano and, the Philharmonia Orchestra.
Robert M. Adams (1915-1996) was a founding editor of the Norton Anthology of English Literature. He taught at the University of Wisconsin, Rutgers, Cornell and U.C.L.A. His scholarly interested ranged from Milton to Joyce, and his translations of many classic works of French literature continue to be read to this day.
Ian Buruma has been a frequent contributor to The New York Review of Books since 1985 and the magazine’s editor since September 2017. From 2003 to 2017 he was professor of human rights, democracy and journalism at Bard College. Buruma was born in 1951 in The Hague, Holland. He was educated at Leyden University, where he studied Chinese literature and history, and at Nihon University College of Arts, in Tokyo, where he studied cinema. Living in Japan from 1975 to 1981, Buruma worked as a film reviewer, photographer, and documentary filmmaker. In the 1980s, Buruma was based in Hong Kong, where he edited the cultural section of the Far Eastern Economic Review, and from where he later travelled all over Asia as a freelance writer. Buruma was a fellow of the Wissenschaftskolleg in Berlin in 1991, and a fellow of the Woodrow Wilson Center in Washington DC in 1999. He is a fellow of the European Council of Foreign Relations and a board member of Human Rights in China. In 2008, Buruma won the Erasmus Prize for “exceptional contributions to culture society, or social sciences in Europe.” Buruma has written over seventeen books, including The Wages of Guilt (1995), Murder in Amsterdam (2006), Year Zero (2013), and Theater of Cruelty (2014). He has won several prizes for his books, including the LA Times Book Prize for Murder in Amsterdam, and PEN-Diamonstein Spielvogel award for the art of the essay for Theater of Cruelty. His memoir, A Tokyo Romance, has just been published. (April 2018)
D.J. Enright (1920–2002) was a British poet, novelist and critic. He held teaching positions in Egypt, Japan, Thailand, Singapore and the United Kingdom. In 1981 Enright was awarded the Queen’s Gold Medal for Poetry.
Elizabeth Hardwick (1916–2007) was born in Lexington, Kentucky, and educated at the University of Kentucky and Columbia University. A recipient of a Gold Medal from the American Academy of Arts and Letters, she is the author of three novels, a biography of Herman Melville, and four collections of essays. She was a co-founder and advisory editor of The New York Review of Books and contributed more than one hundred reviews, articles, reflections, and letters to the magazine. NYRB Classics publishes Sleepless Nights, a novel, and Seduction and Betrayal, a study of women in literature.
Simon Head is a Senior Research Fellow at the Institute for Public Knowledge at New York University, and Director of Programs for the New York Review of Books Foundation. He is the author of Mindless: Why Smarter Machines Are Making Dumber Humans (2014).
Bohumil Hrabal (1914–1997) was born in Brno, Moravia, then part of the Austro-Hungarian Empire. More interested in poetry and the life of the brewery managed by his stepfather than in his studies, Hrabal eventually enrolled in the law faculty at Charles University in Prague. The Nazi occupation of Czechoslovakia in 1939 led to the closing of the universities and Hrabal did not complete his degree until 1946. Not inclined to practice law and unable to find a publisher for his poetry once the Communist Party came to power in 1948, Hrabal held a long series of odd jobs, including notary’s clerk, warehouseman, railroad worker, insurance agent, traveling salesman, foreman in a foundry, wastepaper recycling center worker, and stagehand. In 1962 he became a full-time writer, but due to government restrictions was obliged to publish much of his work in underground editions or abroad. The motion-picture adaptation of his novella Closely Watched Trains brought Hrabal international recognition, including the 1967 Academy Award for Best Foreign-Language Film, but only in 1976 was he “rehabilitated” by the government and permitted to publish select works. By the time of his death—he fell from a fifth-floor window in a Prague hospital, apparently trying to feed the birds—Hrabal was one of the world’s most famous Czech writers and the author of nearly fifty books. Among his other works available in English translation are The Death of Mr. Baltisberger, I Served the King of England, and Too Loud a Solitude.
Joseph Kerman is emeritus professor of music at the University of California, Berkeley. He began writing music criticism for The Hudson Review in the 1950s, and is a longtime contributor to The New York Review of Books and many other journals. His books include Opera as Drama (1956; new and revised edition 1988), The Beethoven Quartets (1967), Contemplating Music (1986), Concerto Conversations (1999), and The Art of Fugue (2005).
M. F. Perutz (1914–2002) was an Austrian molecular biologist. He was awarded the Nobel Prize for Chemistry in 1962. He is the author of Is Science Necessary?, Protein Structure, and I Wish I’d Made You Angry Earlier.