Pieter Bruegel the Elder: Drawings and Prints catalog of the exhibition edited by Nadine M. Orenstein, with additional contributions by Manfred Sellink, Jürgen Müller, Michiel C. Plomp, Martin Royalton-Kisch, and Larry Silver
Reading Chekhov: A Critical Journey by Janet Malcolm
The Complete Early Short Stories of Anton Chekhov, Volume One (1880–82): ‘He and She’ and Other Stories translated from the Russian by Peter Sekirin
Searching for John Ford: A Life by Joseph McBride
The Feast of the Goat by Mario Vargas Llosa, translated from the Spanish by Edith Grossman
Gwen John: A Life by Sue Roe
Jefferson Davis, American by William J. Cooper Jr.
Jefferson Davis: Unconquerable Heart by Felicity Allen
Thank You, Comrade Stalin! Soviet Public Culture from Revolution to Cold War by Jeffrey Brooks
Stalinism as a Way of Life: A Narrative in Documents by Lewis Siegelbaum and Andrei Sokolov
Mermaids Explained by Christopher Reid, with a foreword by Charles Simic
Electric Light by Seamus Heaney
A Favourite of the Gods by Sybille Bedford
A Compass Error by Sybille Bedford
Jigsaw: An Unsentimental Education by Sybille Bedford
Marginalia: Readers Writing in Books by H.J. Jackson
The Ecological Indian: Myth and History by Shepard Krech III
The Case Against Immigration by Roy Beck
Heaven’s Door: Immigration Policy and the American Economy by George J. Borjas
America’s Demography in the New Century: Aging Baby Boomers and New Immigrants as Major Players by William Frey and Ross DeVol
The Handbook of International Migration: The American Experience edited by Charles Hirschman, Philip Kasinitz, and Josh DeWind
Immigration from Mexico: Assessing the Impact on the United States by Steven Camarota
The New Americans: Economic, Demographic, and Fiscal Effects of Immigration edited by James P. Smith and Barry Edmonston
James Fenton is a British poet and literary critic. From 1994 until 1999, he was Oxford Professor of Poetry; in 2015 he was awarded the PEN Pinter Prize. He is the author of School of Genius: A History of the Royal Academy of Arts and, most recently, Yellow Tulips: Poems, 1968–2011. (March 2020)
Thomas Flanagan (1923–2002), the grandson of Irish immigrants, grew up in Greenwich, Connecticut, where he ran the school newspaper with his friend Truman Capote. Flanagan attended Amherst College (with a two-year hiatus to serve in the Pacific Fleet) and earned his Ph.D. from Columbia University, where he studied under Lionel Trilling while also writing stories for Ellery Queen’s Mystery Magazine. In 1959, he published an important scholarly work, The Irish Novelists, 1800 to 1850, and the next year he moved to Berkeley, where he was to teach English and Irish literature at the University of California for many years. In 1978 he took up a post at the State University of New York at Stonybrook, from which he retired in 1996. Flanagan and his wife Jean made annual trips to Ireland, where he struck up friendships with many writers, including Benedict Kiely and Seamus Heaney, whom he in turn helped bring to the United States. His intimate knowledge of Ireland’s history and literature also helped to inspire his trilogy of historical novels, starting with The Year of the French (1979, winner of the National Critics’ Circle award for fiction, reissued by NYRB Classics in 2004) and continuing with The Tenants of Time (1988) and The End of the Hunt (1994). He is also the author of There You Are: Writings on Irish and American Literature and History (2004). Flanagan was a frequent contributor to many publications, including The New York Review of Books, The New York Times, and The Kenyon Review.
Timothy Garton Ash is Professor of European Studies and Isaiah Berlin Professorial Fellow at St. Antony’s College, Oxford, and a Senior Fellow at the Hoover Institution, Stanford. A new edition of his book The Magic Lantern: The Revolution of ’89 Witnessed in Warsaw, Budapest, Berlin, and Prague will be published this fall. (October 2019)
John Gross (1935–2011) was an English editor and critic. From 1974 to 1981, he was editor of The Times Literary Supplement; he also served as senior book editor and critic at The New York Times. His memoir, A Double Thread, was published in 2001.
Tim Judah is currently a Fellow at the Institut für die Wissenschaften vom Menschen in Vienna. He has reported for The New York Review from, among other places, Afghanistan, Serbia, Uganda, and Armenia. (October 2018)
Tony Judt (1948–2010) was the founder and director of the Remarque Institute at NYU and the author of Postwar: A History of Europe Since 1945, Ill Fares the Land, and The Burden of Responsibility: Blum, Camus, Aron, and the French Twentieth Century, among other books.
Eric L. McKitrick (1920–2002) was a historian of the United States. Educated at Columbia, McKitrick taught at the University of Chicago and Rutgers before returning to Columbia in 1960. He is perhaps best known for Andrew Johnson and Reconstruction; his other works treated slavery and the American South, as well as the history of the American party system.
Alastair Reid (1926 -2014) was a poet, prose chronicler, translator, and traveler. Born in Scotland, he came to the United States in the early 1950s, began publishing his poems in The New Yorker in 1951, and for the next fifty-odd years was a traveling correspondent for that magazine. Having lived in both Spain and Latin America for long spells, he was a constant translator of poetry from the Spanish language, in particular the work of Jorge Luis Borges and Pablo Neruda. He published more than forty books, among them two word books for children, Ounce Dice Trice, with drawings by Ben Shahn, and Supposing…, with drawings by Bob Gill, both available from The New York Review Children’s Collection.
Roger Shattuck (1923–2005) was an American writer and scholar of French culture. He taught at Harvard, the University of Texas at Austin, the University of Virginia, and Boston University, where he was named University Professor. His books includeForbidden Knowledge: From Prometheus to Pornography.
John Updike (1932–2009) was born in Shillington, Pennsylvania. In 1954 he began to publish in The New Yorker, where he continued to contribute short stories, poems, and criticism until his death. His major work was the set of four novels chronicling the life of Harry “Rabbit” Angstrom, two of which, Rabbit is Rich and Rabbit at Rest, won the Pulitzer Prize for Fiction. His last books were the novel The Widows of Eastwick and Due Considerations, a collection of his essays and criticism.