Matisse by Pierre Schneider, translated by Michael Taylor, by Bridget Strevens Romer
Thomas More: A Biography by Richard Marius
Wagnerism in European Culture and Politics edited by David C. Large, edited by William Weber, edited by Anne Dzamba Sessa
Impressions of Africa by Raymond Roussel, translated by Lindy Foord, by Rayner Heppenstall
Locus Solus by Raymond Roussel, translated by Rupert Copeland Cunningham
How I Wrote Certain of My Books by Raymond Roussel, translated, with notes and a bibliography, by Trevor Winkfield, with two essays on Roussel by John Ashbery, a translation of Canto III of Nouvelles Impressions d'Afrique by Kenneth Koch
Raymond Roussel by Rayner Heppenstall
A Fanatic Heart: Selected Stories by Edna O'Brien
Hotel du Lac by Anita Brookner
Leslie Stephen: The Godless Victorian by Noel Annan
Politics, Culture, and Class in the French Revolution by Lynn Hunt
The Foundations of Psychoanalysis: A Philosophical Critique by Adolf Grünbaum
W.B. Yeats: The Poems a new edition edited by Richard J. Finneran
Editing Yeats’s Poems by Richard J. Finneran
A New Commentary on the Poems of W.B. Yeats by A. Norman Jeffares
Wo Deutschland Liegt: Eine Ortsbestimmung by Günter Gaus
Die Fernen Nachbarn: Erfahrungen in der DDR by Klaus Bölling
From Red to Green: Interviews with New Left Review by Rudolf Bahro, translated by Gus Fagan, by Richard Hurst
Cassandra by Christa Wolf, translated by Jan van Heurck
Die Deutsche Geschichte Geht Weiter by Richard von Weizsäcker
Fighting for Hope by Petra Kelly, introduction by Heinrich Böll, translated by Marianne Howarth
Judith by Rolf Hochhuth
Schwarzenberg by Stefan Heym
The Wall Jumper by Peter Schneider, translated by Leigh Hafrey
Timothy Garton Ash is Professor of European Studies and Isaiah Berlin Professorial Fellow at St. Antony’s College, Oxford, and a Senior Fellow at the Hoover Institution, Stanford. He is the author of many books, including The Magic Lantern, an eyewitness account of the velvet revolutions of 1989. His most recent book is Facts Are Subversive: Political Writing from a Decade Without a Name. He is currently leading an Oxford University research project for the discussion of global free speech norms (www.freespeechdebate.com) and working on a book about free speech.
John Golding (1929–2012) was a British painter and art historian. He taught at the Courtauld Institute and the Royal College of Art. Among his many books was Cubism: A History and an Analysis, which refuted the notion that Cubism represented a break with the realist tradition. Golding also curated exhibitions on both sides of the Atlantic, including Picasso: Painter/Sculpter and Matisse Picasso.
Martha Nussbaum is Ernst Freund Distinguished Service Professor of Law and Ethics at the University of Chicago, with appointments in the Philosophy Department, the Law School, and the Divinity School. Her most recent book is Women and Human Development: The Capabilities Approach. (January 2001)
Richard C. Lewontin is Alexander Agassiz Professor of Zoology and Professor of Biology at Harvard University. He is the author of The Genetic Basis of Evolutionary Change and Biology as Ideology, and the co-author of The Dialectical Biologist (with Richard Levins) and Not in Our Genes (with Steven Rose and Leon Kamin).
Luc Sante is the author of Low Life, Evidence, The Factory of Facts, Kill All Your Darlings, and Folk Photography. He has translated Félix Fénéon’s Novels in Three Lines and written the introduction to George Simenon’s The Man Who Watched Trains Go By (both available as NYRB Classics). He is a frequent contributor to The New York Review of Books and teaches writing and the history of photography at Bard College.
Jonathan Lieberson (1949–1989) was a philosopher, editor and critic. Lieberson taught at Barnard and Columbia. His book of essays, Varieties, included reflections on personalities as diverse as Diana Vreeland, Paul Valery and Clifford Geertz.