Contents


Wise Man

Perfectly Reasonable Deviations from the Beaten Track: The Letters of Richard P. Feynman edited and with an introduction by Michelle Feynman, with a foreword by Timothy Ferris

Hero

The KGB File of Andrei Sakharov edited and annotated by Joshua Rubenstein and Alexander Gribanov

What the Frescoes Said

The Web of Images: Vernacular Preaching from Its Origins to St. Bernardino da Siena by Lina Bolzoni,translated from the Italian by Carole Preston and Lisa Chien

The Treasure of Comanche County

No Country for Old Men by Cormac McCarthy

The Orchard Keeper by Cormac McCarthy

Outer Dark by Cormac McCarthy

Child of God by Cormac McCarthy

Suttree by Cormac McCarthy

Blood Meridian by Cormac McCarthy

The Stonemason: A Play in Five Acts by Cormac McCarthy

All the Pretty Horses by Cormac McCarthy

The Crossing by Cormac McCarthy

Cities of the Plain by Cormac McCarthy

Contributors

Anne Applebaum is a columnist for The Washington Post and a Professor of Practice at the London School of Economics’ Institute of Global Affairs. Her new book, Red Famine: Stalin’s War on Ukraine, will be published in October. (October 2017)

Christopher Benfey is Mellon Professor of English at Mount Holyoke. He is the author of Red Brick, Black Mountain, White Clay.
 (April 2017)

Anne Carson is a poet who was born in Canada and teaches ancient Greek, sometimes at NYU. Float, her new collection of prose and poetry, was published in October.
 (December 2016)

Ronald Dworkin (1931–2013) was Professor of Philosophy and Frank Henry Sommer Professor of Law at NYU. His books include Is Democracy Possible Here?, Justice in Robes, Freedom’s Law, and Justice for Hedgehogs. He was the 2007 winner of the Ludvig Holberg International Memorial Prize for “his pioneering scholarly work” of “worldwide impact” and he was recently awarded the Balzan Prize for his “fundamental contributions to Jurisprudence.”


Freeman Dyson is Professor of Physics Emeritus at the Institute for Advanced Study in Princeton. His most recent book is Dreams of Earth and Sky, a collection of his writing in these pages. (October 2016)

Alma Guillermoprieto is a frequent contributor to The New York Review, often writing on Latin America. She is the author of Dancing with Cuba: A Memoir of the Revolution, among other books.
 (May 2016)

Joseph Kerman is emeritus professor of music at the University of California, Berkeley. He began writing music criticism for The Hudson Review in the 1950s, and is a longtime contributor to The New York Review of Books and many other journals. His books include Opera as Drama (1956; new and revised edition 1988), The Beethoven Quartets (1967), Contemplating Music (1986), Concerto Conversations (1999), and The Art of Fugue (2005).

Frank Kermode (1919–2010) was a British critic and literary theorist. Born on the Isle of Man, he taught at University College London, Cambridge, Columbia and Harvard. Adapted from a series of lectures given at Bryn Mawr College, Kermode’s Sense of An Ending: Studies in the Theory of Fiction remains one of the most influential works of twentieth-century literary criticism.

John Leonard writes on books every month for Harper’s and on television every week for New York magazine. (June 2007)

Richard C. Lewontin is Alexander Agassiz Professor of Zoology and Professor of Biology at Harvard University. He is the author of The Genetic Basis of Evolutionary Change and Biology as Ideology, and the co-author of The Dialectical Biologist (with Richard Levins) and Not in Our Genes (with Steven Rose and Leon Kamin).

Avishai Margalit is Professor Emeritus of Philosophy at the Hebrew University of Jerusalem. His latest book, On Betrayal, was published in February.
 (March 2017)

Joyce Carol Oates’s Beautiful Days, a collection of stories, will be published in February. She is currently Distinguished Writer in Residence in the Graduate Program at NYU. (December 2017)

Ingrid D. Rowland is a Professor at the University of Notre Dame’s Rome Global Gateway. Her latest book is The Collector of Lives: Giorgio Vasari and the Invention of Art, cowritten with Noah Charney. (December 2017)