The Cuttlefish’s Play
Richard Powers’s Playground does for oceans what his 2018 novel The Overstory did for trees: it implores us to open ourselves to the ingenuity of life beyond the human.
December 19, 2024 issue
Mama Tried
In Kenneth Lonergan’s Hold On to Me Darling, newly revived with Adam Driver, a country star looks back on his wasted years.
December 8, 2024
As You Like It
Sam Barlow’s video games may be the first efforts at interactive cinema—by either a game designer or a filmmaker—that work.
December 19, 2024 issue
The ICC: Myths and Realities
The most prominent arguments against the court’s recent arrest warrants for Israeli leaders fall apart under scrutiny.
December 6, 2024
Intimate Theatricality
Meticulously installed domestic spaces set the tone for Mickalene Thomas’s current exhibition, which features the work for which she is best known: sumptuous portraits of Black women in repose—the artist’s mother, lovers, and friends.
December 19, 2024 issue
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John Thompson: Last Testament“Berryman knew the depths and knew how it would end. Life, friends, is boring. We must not say so. But he rendered also as who else ever has the wrong and outrageous heights—the ‘highs’ as they say now with the proper note of cheapness—mere fun and wrong, wrong.”
The latest releases from New York Review Books
Politics
The ICC: Myths and Realities
December 6, 2024
Making Germany Hate Again
December 19, 2024 issue
Lebanon’s Year of Living Ambiguously
December 19, 2024 issue
Israel’s Revenge: An Interview with Rashid Khalidi
December 19, 2024 issue
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